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In the context of world Internet literature, objective analysis of the new qualities of Chinese Internet literature will not only help determine China's literary confidence and cultural confidence, but also help start a valuable dialogue with the world. "Chinese Internet Literature and Virtual Survival Experience" is based on the particularity of Chinese Internet literature and provides an in-depth analysis of the survival experience (virtual survival experience) of the Internet age presented by Chinese Internet literature under the appearance of commercialization and popularization. The "overhead" of Chinese Internet literature expresses the "world" view of the Internet age, and the world has plasticity and leapfrog; "portable flow" literature expresses the accompanying relationship between the online world and modern people; rebirth novels express the "reset" experience of online life and the dilemma of choice; time-travel novels express various situations and symptoms of virtual communication; the upgraded model of Internet literature presents digital romanticism and the personal struggles of new Internet youth. The prosperity of Chinese Internet literature is unique in the world. The virtual survival experience contained in Chinese Internet literature reflects the trends and changes in society, culture, and literature after the advent of the Internet society. It constitutes the unique value of Chinese Internet literature and has important world significance. We should dialectically understand the achievements of Chinese online literature and its future development trends, improve its ideological and cultural realm and artistic level, and enable it to make its due contribution to China's national strategic development.

Literary creation and reception are not the solitary words of an individual's mind, but are always created and received through the mediation of "institutions". New media has had an unprecedented impact on the traditional literary system, and at the same time constructed an online literature system. This book conducts an overall survey of the organizational structure, actors, and relationships of the new media literary field, and explores the construction of the writer system and the reader system by literary websites, the reconstruction of the literary system by the avant-garde, the fission of the literary criticism system, the transformation of the copyright system, and the canonization system issues in the new media context. It believes that classics are always the result of the combined efforts of field actors.