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This book is a work on the study of Chinese marine literature. It consists of eight chapters: exploring the creation myth of the ocean in the pre-Qin period, exploring the ocean imagery in the Qin and Han Dynasties, the flourishing of ocean poetry in the Wei and Jin Dynasties, the romantic romance of the ocean in the Sui and Tang Dynasties, the diverse ocean sentiments in the voyages of the Song and Yuan Dynasties, the dawn of marine civilization in the Ming Dynasty on the way home, Awakening from a Dream: the afterglow of marine literature in the Qing Dynasty, and the soul of the blue ocean in the new wave of modern times. Based on the background of different historical periods in China, the development trajectory of marine literature in ancient and modern China is sorted out and studied, which has certain reference and reference significance for practitioners in the fields of marine literature and marine culture.

This book takes novels published from 1972 to 1977 as the object of compilation and research. It emphasizes the importance of organizing novels, proofreading publication time and editions, investigating author identity, classifying novel themes and other basic work. It advocates relying on first-hand materials to approach the literary scene and examine historical details, thereby leading the study of literature in the 1970s to "microscopic" research. The book is divided into upper and lower parts: the first part discusses the significance and methods of researching literature in the 1970s, details the "story" of novels in the 1970s based on a large number of historical materials, and attempts to draw a topographic map of literature in the 1970s; the second part organizes, compiles and explains the literary journals and novels of the 1970s, in order to provide data support for other related research.

Historical records record: "The queen mother has been in charge of government since the Queen Mother Xuan of Qin Dynasty." The Queen Mother Xuan was Mi Yue. Mi Yue's life was magnificent and indulgent, and she ruled the Qin State as the Queen Mother for 36 years. As a female, she traveled among the countries and influenced the current situation of the entire Warring States Period. She is an outstanding woman, a magnificent piece of music. "Only Follow My Heart: The True Story of Mi Yue in the Qin Dynasty" starts from history, while recreating Mi Yue's legendary experience, it also highlights the things in her that women can learn from.

Yuan An is an unfortunate girl. Her family is just one of many modern feudal families. Her fate has been arranged by her family, but is that what she wants? After resurrecting her life, she discovered that history cannot be changed artificially. So has she changed or maintained the original appearance?