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The novel collection is divided into two parts: Part A, which is mainly short stories, and Part B, which is all short stories. In these short stories, there are both romantic fairy tale metaphors and profound observations of secular life. As Shen Haobo said in the preface: Liu Yang can use non-storytelling methods, non-fictional fiction, and non-constructive construction to reach the most original and unreasonable essential reality of life. Liu Yang This ability to write out the essence and a very simple narrative trick make the reality in her writing very moving, whether it leads to warmth, cold, or even more ashes; on the other hand, she often incorporates some of her own weird ideas into her stories, presenting a certain absurd effect. In this creative process, she did not turn the weird thoughts in her mind into a cute and quirky literature, but led to life, to the humble secular real life, thereby realizing an absurd and romantic confession to the world.

This book is a collection of fantasy stories by the young writer Li Liuyang, which depicts all kinds of imaginary things happening on a "Toon Street" that seems both real and illusory, as well as the warmth and coldness of the world. It is both a worldly wonder and a romantic fantasy, a book for the market and a book for the soul, with an unbelievable depth and maturity in its innocence. The loose brush strokes seem to outline the childhood of a generation.