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No matter in China, Europe, America, or even other parts of the world, history is an ancient knowledge. The author of this book aims to give detailed answers to his own questions about how to write a history paper and how to conduct academic training in history. The book is divided into twelve chapters, which respectively describe the characteristics of history, the nature of historical knowledge, the stance and research perspective of historians, how historical researchers accumulate academic knowledge, the academic path of history, the organization and interpretation of primary documents and evidence, the sorting and breakthrough of the academic history of secondary documents, the commonly used theoretical methods of historical research, the writing style and normative requirements of historical research works, etc.

This book is an academic collection of Li Jianming, a well-known American history expert, professor of the History Department of Fudan University, and Yangtze River scholar. It includes his American history research papers published in recent years. Professor Li Jianming is a leading figure in the study of American history in China. His main research directions are early American history, social and political history, and the history of race relations. The collection of papers in this book reflects his latest research results and contains practical concerns in his academic pursuits.

This book is one of the Books and People series, written by Li Jianming, a professor at Peking University and an expert on American history. The articles included in the book are mostly miscellaneous talks or essays, and most of them are closely related to the author's research field. In addition to the above-mentioned discussions related to historical theory, there are also several articles directly related to the author's professional direction, that is, American history, such as new trends in the field of American history, the current status and problems of American history research in China, etc. The few articles that the author calls "by-products of professional work" are actually more "inspired", such as the understanding of "online history" and popular history, the qualities that historians should possess, and even the author's own experience and experience in reading history. This kind of article is simpler and more vivid than the previous one. Editor's comment: It is said that some editors want to "kill" the author, and there are probably also editors who want to embrace the author. The editor of this book is lucky, and the readers of such a book will also be lucky.

"I Have a Promise with Ginkgo" is a personal poetry collection with more than a hundred poems in total, including "Sanya Three Songs", "Road", "I Have a Promise with Ginkgo", "Viewing the Lingering Garden in Suzhou", "Spring is Coming" and other works. The content is mainly the author's insights, involving many aspects such as travel, four seasons, family affection, nostalgia, traditional festivals, etc. The language is simple and the emotions are real. The author's deep love and longing for his hometown are revealed between the lines.

The novel begins with the confrontation between the bosses and the community secretary on this street, with Chengdu as the landmark and community governance as the core. It narrates a series of problems existing in the development process of the motorcycle factory community. It connects many social hot spots such as the re-employment of laid-off workers, the renovation of old communities, environmental pollution, urban renewal, etc., And creates a new image of a group of grassroots cadres in the new era, such as community secretary Ma Zaizhou and subdistrict office director Dong Shangyi. It also uses group portrait writing to pay attention to the choices and fate of individuals in the context of the times, which improves the depth of thinking in the work. It not only reflects the details and hardships of grassroots workers in promoting urban development for the private sector, but also reflects the loyalty and responsibility of cadres at all levels. It is these community grassroots cadres and citizens who together form the unique fireworks atmosphere of Chengdu and make Chengdu a more livable city.

My uncle, Monk Ma Er, died in the winter of 1989. Two days before my uncle died, there was a rare heavy snowfall at the entrance of Langgu. The snowflakes covered the sky for a whole day and night, as if the whole world was filled with white light feathers, fluttering, turning the huge entrance of Langgu into a giant white bird. The air-conditioning immediately surrounded the village. A thick layer of ice formed in the latrine in the backyard of my uncle's house. Even the pickled vegetable jar on the wooden shelf in the main room cracked from the frost. My uncle, Monk Ma Er, was curled up on the kang, looking at the half-foot-deep snow in the yard through his eyes filled with goo and the holes in the window paper. A strange smile appeared on his waxy face. The fire in the brazier was burning brightly, and grandma was sitting on the kang, mending old clothes, wiping her tears while sewing, and said, "Son, every time you come back to the mountain, my heart... Trembles."

This book is one of the Books and People series, written by Li Jianming, a professor at Peking University and an expert on American history. The articles included in the book are mostly miscellaneous talks or essays, and most of them are closely related to the author's research field. In addition to the above-mentioned discussions related to historical theory, there are also several articles directly related to the author's professional direction, that is, American history, such as new trends in the field of American history, the current status and problems of American history research in China, etc. The few articles that the author calls "by-products of professional work" are actually more "inspired", such as the understanding of "online history" and popular history, the qualities that historians should possess, and even the author's own experience and experience in reading history. This kind of article is simpler and more vivid than the previous one. Editor's comment: It is said that some editors want to "kill" the author, and there are probably also editors who want to embrace the author. The editor of this book is lucky, and the readers of such a book will also be lucky.