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The author uses the memories of Shen Congwen's closest relatives and friends to reflect Shen Congwen's warm daily life. The author's writing style is concise and atmospheric, expressing Mr. Shen's gentle and pure character, and also portraying Mr. Shen's courageous and upright spirit.

Wu Xia walked swaggeringly back and forth on the pier for two or three times, and Wen Lianqi bumped into her eyes. To be more precise, she didn't discover Wen Lianqi, it was Wen Lianqi who ran into her sight automatically. Wen Lianqi got out of an unknown fishing boat, as if he was afraid that Wu Xia would escape. As soon as he saw her shadow, he pulled away and chased after her while shouting loudly to tell Wu Xia to stop. Wu Xia felt funny. Wu Xia was also used to doing this kind of business, so when she met a man, she thought he was a customer. She thought Wen Lianqi was a boatman and was a rookie in this area.

Zhuang Jiuniang moved her artificial feet, which are rare these days, and came to Lao Ba Ye's three stone houses with a serious look on her face. Du Ba Ye was leaning on the bedroll and smoking a dry cigarette. In the dark room, Lao Baye's old face appeared and disappeared as the cigarette pot flickered on and off. His face, which was originally quite upright, turned into a scary one. When I got up in the morning, after visiting Zhuang Jiu Niang's house, Lao Baye returned to the stone house and never left the house. He smoked a pack of cigarettes and was stunned for a while. His eyes always looked at the dead look of Zhuang Jiu, the village party secretary, lying in the yard. Zhuang Jiu was stabbed to death with a knife. Most people would not dare to look at the tragic sight of blood and flesh flying everywhere.

Wang Maotian yawned endlessly after filling out his ballot, then lay down on the table and fell asleep. When the election results came out, old man Maotian was sleeping in a deep sleep. The people next to him finally woke him up: Old man Wang, the hat of village party secretary is on your head! Then, Deputy Secretary Lu of the town knocked on the microphone and called Wang Maotian to the podium. The old man Maotian's face suddenly started to feel feverish, and he wished he could get into the hole in the table. He blushed and said rudely, "I'm not kidding, I'm not joking. I'm not joking. I'm not joking. I'm not joking. I'm not kidding. I'm not kidding. I'm not kidding. I'm not kidding. I'm not joking." Wang Maotian ran out of the village compound, still feeling embarrassed and angry. The party members and the masses in Dashanwozi Village are the same. They always treat elections as a joke, casting some weird people to make a fool of themselves, and just use them for fun on weekdays.

This book takes the Zhezi Opera as the research object and conducts research from the four dimensions of the Zhezi Opera's concept, history, text, and performance. It takes the historical development of the Zhezi Opera as the basis, and the literary characteristics and performance characteristics of the Zhezi Opera as the latitude. It strives to give a three-dimensional view of the Zhezi Opera and faithfully restore the panoramic view of the Zhezi Opera's performance. By organizing and analyzing a large number of selected opera excerpts, novels, diaries, literati notes and other documents, this book outlines the appearance of excerpt opera in the Ming and Qing dynasties: it rose in the Zhengde period of the Ming Dynasty; developed in the Jiajing and Longqing years; flourished in the Wanli period; flourished in the Tianqi and Chongzhen years; and took shape and ended in the Qing Dynasty. This book focuses on the dual attributes of literature and performance of excerpts, and focuses on two selected excerpts of "Zui Bai Qiu" and "Shen Yin Jian Gu Lu".

Thank you for coming to my world at my most beautiful moment I love you in this life and have no regrets...

The villages coaxed the townships, and the villages coaxed the counties, all the way to the provincial party committee office. --Folk songs of Huanghua County. The mayor of this town, Zhang Fuhai, came back from the county and went to play with Widow Qin for a while. After returning home, he was woken up by a knock on the door after a short sleep. Mayor Zhang was a little unhappy. From a deep sleep. If you pull it hard, the feeling will be quite unpleasant. Mayor Zhang went to the province to attend the commendation meeting for civilized towns. The quota for civilized townships is expensive, one per county. After the meeting yesterday afternoon, Mayor Zhang stopped by the county government for a walk. County Magistrate Cui said that he had picked up a big deal this time, and I was sorry that it was difficult for us to convince the public. Mayor Zhang led County Magistrate Cui and his team into Shutai Restaurant, a restaurant they often frequented, and started having sex.

"Zang and Postscript" contains about forty articles, all of which are written by famous figures in the contemporary literary and artistic circles, such as Ba Jin, Bing Xin, Yu Guangyuan, Gong Mu, Jiao Juyin, Feng Zhi, Shen Congwen, Wang Zengqi, Huang Yongyu, Wu Guanzhong... The author started from a certain version of each of their works, writing both "books" and "people"; therefore, it is both a literary and readable reading essay and a valuable historical material of contemporary literature.

Like many other articles published in the "Cai Mulberry Collection", the content is still positioned as "focusing on both reading and life." Whether it is about Hong Kong newspapermen Zhou Shi, Liang Xiaozhong ("Red Plum Valley"), poet Xin Di ("The Voice Comes from the Grass"), or about my great-aunt Ouyang Yuqian ("Iron Lion Hutong No. 3"), Or about my own father ("Kai La Qi"), they all make people feel like seeing the person and hearing their voice. In the vivid details, there is a soul-piercing and touching power.

The writings of the literary masters who were active in the 1920s and 1930s during the Cultural Revolution and their respective life trajectories are written calmly, calmly, and with deep painful thoughts. The work is full of a sense of desolation.

This book is a collection of interviews that the author Li Hui has conducted in recent years with famous scholars such as Wang Shixiang, Chen Sihe, Lin Xianzhi, and Ma Yueran. The content covers a wide range of literature, art, thought, culture and other fields. It not only has important ideological value and is thought-provoking, but also appears lively and informal and highly readable because of its interview format.

This book is a collection of essays written by Teacher Li Hui in recent years. The book contains a total of 23 articles, describing the fate of a number of Zhejiang modern and contemporary cultural celebrities such as Feng Zikai, Feng Xuefeng, Dai Wangshu, Xu Zhimo, Jiang Menglin, etc. The author mixes narratives and discussions, and his writing is full of emotion and has considerable appeal.

Lu Guomin found that things about Lujiazhuang were unclear. He only stayed at home for more than two years, and people in the village thought that he had completely reverted to a farmer and would never want to go to the city in his life. That's not the case. Comrades from the County Personnel Bureau said that nowadays there are so many undergraduates that it is normal for them to be unable to find a job. However, graduates from prestigious universities still value them and will consider them sooner or later. Comrades from the People's Hospital told him that there were only five talented students from prestigious universities and not many ordinary undergraduates, so the People's Hospital was basically committed and the acceptance notice might be issued some day.

In fact, the leading figures in the village have long known about the news that Yuewangzhuang is going to change its appearance. Yue Fuquan was an ordinary citizen, so it wasn't until he went out to see the crops that morning that the news hit his ears. Yue Fuquan likes to get up early and go to the slope to see the crops. Even in the dog days of summer when hanging up the hoe and the mid-winter of ice and snow, when there was not much work in the fields, he would get off the kang and leave the house at dawn, hurrying and slowly out of the village, walking around from field to field. Yue Fuquan went out a little late that morning. At about three o'clock in the night, the old woman fell into an old habit. Her stomach suddenly hurt, and she groaned while pressing her hands there. Because it was an old problem, Yue Fuquan did not get up. He lay there and held her down for a while. When the old woman's humming subsided and her body gradually stopped, Yue Fuquan sighed and stopped moving, and fell asleep drowsily.

The TV series of the same name stars Han Xue, Fu Xinbo, Mao Linlin, Zhang Danfeng, Li Zefeng and others. In Shanghai during the Anti-Japanese War, Han Shuying was framed by her aunt and forced to marry North Jiangsu tycoon Xie Bingyan as a concubine. Inspired by patriotic teacher Li Wenxuan, Han Shuying decided to escape from marriage and join the ranks of saving the country. However, due to her classmate relationship with the eldest son of the Xie family, Xie Tianci, she was discovered by the eldest daughter of the Xie family, Xie Ruoxue. The domineering Xie Ruoxue not only reported to her father, but also tried to kill Han Shuying, her "stepmother". Just as Han Shuying's life was hanging on a thread, Xie Bingyan was shot dead by the Japanese because he was unwilling to betray his motherland. After witnessing everything, Han Shuying was deeply moved by Xie Bingyan's patriotic integrity, and decided to stay in the Xie family. In the name of Mrs. Xie, she saved the lives of the Xie family, and with the help of Li Wenxuan, fled to Shanghai with Xie Ruoxue. In the context of the era of fighting and iron horses, the two women Han Shuying and Xie Ruoxue not only depended on each other as "mother and daughter", but also performed a legend of fighting against the war and saving the country as "sisters".

The book tells the experiences of four girls of different ages, Yu Xiaoyu, Luo Meiqi, An Ye, and Tong Tong, and unfolds a picture of the various states of urban women. The story is based on life, radiates into the workplace, and reflects on family. When the four heroines experienced different emotional struggles, inside and outside marriage, they finally realized that any additional conditions attached to love are shackles...

In Shanghai during the Anti-Japanese War, a progressive young woman named Han Shuying was framed by her aunt and forced to marry North Jiangsu tycoon Xie Bingyan as her concubine. Inspired by patriotic teacher Li Wenxuan, Han Shuying decided to escape from marriage and join the ranks of saving the country. However, due to her classmate relationship with the eldest son of the Xie family, Xie Tianci, she was discovered by the eldest daughter of the Xie family, Xie Ruoxue. The domineering Xie Ruoxue not only reported to her father, but also exposed Han Shuying's escape from marriage as an elopement, hoping to put Han Shuying, the "stepmother" to death. Just as Han Shuying's life was hanging on a thread, Xie Bingyan was shot dead by the Japanese because he was unwilling to betray his motherland. After witnessing everything, Han Shuying was deeply moved by Xie Bingyan's patriotic integrity, and resolutely chose to stay in the Xie family. In the name of Mrs. Xie, she saved the children of the Xie family. With the help of Li Wenxuan, she fled to Shanghai with Xie Ruoxue, and moved Xie Ruoxue with her practical actions. In the context of the times of war and iron horses, the two women Han Shuying and Xie Ruoxue not only depended on each other as "mother and daughter", but also performed a story of fighting against the war and saving the country as "sisters".