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The main content of "Singing Laoniuwan" is a collection of poems, divided into fifty-five chapters, which have been passed down to the people.

Chen Jiafeng resolutely left "Da Shengkui" and returned to his hometown. As soon as he entered the house, his mother-in-law Fengzhu pushed a six or seven-year-old boy in front of him. He saw that this boy was handsome, handsome and cute, just like he looked like when he was a child. Although this child was a child, he was very reserved and timid in front of Chen Jiafeng. However, Chen Jiafeng was away from home for a long time and did not even know that his mother-in-law had given birth to a son. At this time, a half-grown boy suddenly appeared in front of him, so vivid that he couldn't help but feel at a loss. The father and son looked at each other, not knowing what to do. "Panpan, call me big." Under Fengzhu's urging, the child timidly called out: "Big..." Chen Jiafeng stretched out his hand and gently held the child's hand in his palm. This was the first time Chen Jiafeng met his biological son.

This book is a full-length historical novel. The time is limited to the mid-Qing Dynasty to the late Qing Dynasty. Through the tortuous journey of the three little dragons of He, Bao and Pian - Li Xiaoduo, Chen Jiafeng and Guo Wangsu - from the west entrance, it shows the hardships of the mainland Han people in seeking to survive outside the country, as well as the unyielding spirit of having the courage to fight against fate. At the same time, through the coexistence, unity and exchanges between the Han people and the Mongolian people, the nomadic culture and farming culture of each other penetrated and integrated with each other, promoting the long-term common progress of the Mongolian and Han peoples. The work has a grand structure, detailed historical materials, various characters, and complex stories. It artistically reproduces the major historical event of Walking to the West Exit. It is the first complete literary work on the theme of Walking to the West Exit in China.