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This is a classic Chinese modern novel and one of Mr. Lao She's masterpieces. Against the background of the outbreak of the Marco Polo Bridge Incident and the fall of Peking, the novel takes the life of four generations of the Qi family as the main line, and vividly and vividly depicts the ups and downs, life and death of people from all walks of life and all kinds of people represented by the residents of Xiaoyangquan Hutong. The work describes the tragic experience of the vast number of civilians under the iron heel of the Japanese invaders in the abnormal state of the world after the fall of Peiping. The uneasiness, confusion and shock after the ancient and peaceful life was shattered. It lashes out the ugly souls of the perpetrators who attached themselves to the enemy, exposes the brutal crimes of Japanese militarism, and reflects the common people. The heroic and fearless resistance in the face of a powerful enemy eulogized and promoted the great patriotism and steadfast and noble national integrity of the Chinese people. It epically demonstrated the outstanding contributions made by the Chinese people to the world anti-fascist war during the Second World War. It was magnificent and evocative. Mr. Lao She used his profound and exquisite artistic skills and superb novel skills to depict a series of vivid artistic images such as Qi LaoRen, Rui Xuan, Da Chibao, Guan Xiaohe, etc., Showing a rich picture of life in Peiping, which has been widely read to this day and remains fresh for a long time...

"Lao She's Prose" is a classic collection of prose by Lao She, the 20th century Chinese literary master. It includes more than 40 handed down prose classics such as "My Mother", "Master Zongyue", "Cat", "Spring Festival in Beijing", "Appreciation of Baotu Spring" ("Baotu Spring") and "My Ideal Family". These works may describe the scenery of various places with meticulous details and great artistic conception; some may describe daily life, raising flowers and cats, which are full of interest; some may remember old friends and relatives, which may be sincere and touching; or some may present humorous and ironic works, which are full of Beijing flavor. These proses fully demonstrate Mr. Lao She's literary skills and rich life experience, and reflect the author's thoughts, feelings and creative style from one side. The language is suitable for both refined and popular tastes, clean and lively, simple and refined, humorous and witty, and full of Beijing's local flavor. Invite first-line famous teachers to conduct introductions to the works, refine knowledge points, expand reading horizons, explain profound things in simple terms, and help students better understand classics and apply what they have learned.

"Four Generations Under One Roof" is divided into two volumes. It is a million-word novel written by the Chinese writer Lao She. The work is set in the occupied area of ​​Peiping during the Anti-Japanese War. It describes the psychology and experiences of more than a dozen families and more than 100 people, centered on the four generations of the Qi family, in the "Little Sheep Circle" alley in Beijing. It reproduces the process of the people of Peiping from being confused and depressed, enduring humiliation and living in humiliation to gradually awakening and resisting under the brutal rule of the Japanese invaders. It praises their valuable national integrity as well as the Chinese nation's unyielding will to fight and determination to resist the war.

Including: Ganji, Yinghaiji, Hazaoji, Train Jiji, Anemia Jiji. "Going to the Market" contains 15 articles, including: "Five-Nine", "Hot Buns", "The Little Ghost of Love", "Outside the Great Compassion Temple", "Mr. Breeches", "Micro God", "Embrace the Grandson", "Liu Family Courtyard", "The Iron Cow and the Sick Duck", etc. This collection demonstrates Lao She's realistic style and unique Beijing charm, with coherent plots, strong storytelling, concise language, popular and clear characters, and vivid characters. Lao She mostly describes a series of images of lower-class citizens. He sympathizes with and cares for the sufferings of the lower-class people with a deep, worried and thoughtful look, showing his concern for the fate of the nation. At the same time, there is a sense of humor and irony mixed in. His works had a significant impact on modern literature. "The Collection of Yinghai" (1935, Renjian Shuwushe) This book is a collection of Lao She's short stories, including "Taking Office", "Sacrifice", "Liutun's", "The Last Dollar", "The Romance of Old Age", and "Caterpillar" The 10 works of "The Good Man", "Neighbors", "Crescent Moon" and "Sunshine" are must-sips for Lao She lovers. Most of the works in them can be regarded as the supreme model of "character sketch".

The three-act play "Teahouse" uses a teahouse called Yutai to show the social changes in the three eras of the Reform Movement of 1898, the Warlords' Melee and the eve of the founding of New China for nearly half a century, as well as all the living beings in the social background. The play has been performed many times at home and abroad, and has been adapted into movies and TV series. It is a classic work of contemporary Chinese drama creation. The three-act drama "Longxugou" is also one of Lao She's masterpieces. It describes the different experiences of four families in a small courtyard in Beijing during social changes. It shows the great changes in the old and new eras and creates unique characters such as Madman Cheng, Aunt Wang, Er Chun, Niangzi, and Sister Ding.

A literary giant that future generations will always admire, an eternal monument! A literary classic worth reading by every generation of Chinese, and a national memory worth cherishing by every Chinese! Lao She is a great people's artist, a literary giant that future generations will always admire, and an eternal monument! Mr. Lao She's works include discussions on the national spirit and thoughts on destiny, allowing the author to appreciate the various aspects of life and the severity and heaviness of life. Lao She (1899.2.3-1966.8.24), Whose original name was Shu Qingchun, also named Sheyu. He also has pen names such as Jie Qing, Hong Lai, and Fei Wo. Beijing Manchu Zhenghongbanner, a famous modern Chinese writer, an outstanding language master, and the first writer in New China to win the title of "People's Artist". Lao She wrote quite a lot throughout his life, and his main works include "Camel Xiangzi", "Lao Zhang's Philosophy", "Two Horses", "Four Generations Under One Roof", "My Life", and the dramas "Teahouse" and "Longxugou", etc. Lao She's literary creation is basically based on the life of the lower class people in old Beijing. It has a strong flavor of Beijing and the city. The language is humorous, but the content is serious. The characters are vivid and natural, which is impressive. The "Complete Collection of Lao She's Classics" includes "Camel Xiangzi", "The Philosophy of Lao Zhang", "Two Horses", "Winter in Jinan", "Cat City", "In My Life", "Xiaopo's Birthday", "Dr. Wen", "Teahouse", "Longxugou", "Treasure Ship" and "Four Generations Under One Roof", etc., Among which are all his classic works. 1. "Luotuo Xiangzi" a long market novel "Luotuo Xiangzi" is one of Lao She's masterpieces. The novel describes the tragic story of Xiangzi, a rickshaw puller from the countryside, who experienced three ups and downs in Beiping during the warlord war in the 1920s. After three years of struggle, he finally bought a car of his own, but his good wishes always failed time and time again. In the end, his spiritual world completely collapsed and he became an insensitive walking zombie. 2. "Teahouse" shows the social changes of nearly half a century in three eras: the Reform Movement of 1898, the warlord war, and the eve of the founding of New China. Through a teahouse called Yutai, it reveals the darkness, corruption, grotesqueness and bizarreness of Chinese society in the past half century, as well as all the living beings in this society. 3. "Longxugou" describes the different experiences of four families in a small courtyard in Beijing during social changes, and shows the tremendous changes in the old and new eras. It reflects the different destinies of the Chinese people before and after liberation, embodies the central idea of ​​the people's government for the people and the people's support and love for the party and the government. 4. "Treasure Ship" is a children's drama created by Mr. Lao She. The play praises the beautiful souls of workers who are diligent, kind, helpful, tenacious and brave, and unite and help each other. The twists and turns of the vivid story, the fantasy-rich plot, and the innocent and childish language have made this work deeply loved by young readers since its birth. 5. "Two Horses" is Lao She's early work, written in England in 1929. The novel creates a superstitious, moderate, sloppy, and lazy slave-like character, Lao Ma. His life creed is to live in peace, which is reminiscent of Lu Xun's Ah Q. The difference is that Ah Q lives in the countryside of old China, while Lao Ma is an overseas Chinese living abroad. Lao She deliberately put Lao Ma in a foreign situation to portray him. Through the life of Ma and his son in London and their interactions with the British, he looked at the differences between Eastern and Western nations, and tried to highlight the absurdity of backward national character in the context of the comparison of Chinese and Western cultures. 6. "Summer in Jinan" is a collection of classic prose by the literary master Lao She. In order to help readers better understand the essence of Lao She's works, this anthology has screened and organized some of Mr. Lao She's outstanding prose works, including "Spring Breeze", "Thinking of Peiping", "Photograph", "Looking Up to See Joy", "Spring Breeze", "Cat", "My Mother", "Qingdao in May", "Spring Festival in Beijing", "Dialogue with Jinan", "Appreciation of Baotu Spring" and other representative classic prose works by Mr. Lao She. 7. "Lao Zhang's Philosophy" describes the lives and thoughts of citizens from all walks of life in Beijing around the 1920s. The protagonist, Lao Zhang, is a rogue villain who does all kinds of evil in old Beijing. He holds three professions: soldier, scholar, and businessman, and believes in three religions: Hui, Yahya, and Buddhism; he believes in a "money-based and trinity" philosophy of life. The connotation and essence of "Lao Zhang's philosophy" is a naked philistine philosophy. 8. "Cat City" is a novel with allegory and science fiction color written by Lao She. The plane crashed on Mars, and "I" became a drifter on Mars, accidentally entering the cat city and visiting everything. "I" is like a sad reporter, recording all kinds of strange phenomena in Cat City: cat people only eat puzzle leaves, cat soldiers rush to surrender, houses in Cat City have no doors or windows, the laws of Cat Country cannot control foreigners, students in Cat School beat teachers... As Lao She said, "Cat City" is a nightmare. It records some extremely dark pages in the history of a civilization, and also reflects the desolate background of Lao She's thoughts. 9. "My Life" is a famous novella written by Mr. Lao She in 1937 on the eve of the Anti-Japanese War. The novel uses the first-person method to describe the rough life of an ordinary patrolman in the old era. Through the protagonist's experience and ideological changes, it shows the sadness of the low-level people who are unable to control their own destiny in the outdated and turbulent social background. An ordinary little person reflects the great tragedy of the era. At that time, it had "a progressive atmosphere that stood out from the times." 10. "Four Generations Under One Roof" is a classic Chinese modern novel and one of Mr. Lao She's masterpieces. After reading the whole novel, you can not only feel the unique Beijing accent and humor in Mr. Lao She's articles, but also taste the heaviness of life from his witty and humorous writing style. 11. "Xiao Po's Birthday" is a long fairy tale created by Mr. Lao She. The work takes Xiao Po, a boy living in Nanyang (that is, Singapore), and his sister as the protagonists, and tells interesting stories in Xiao Po's life. The second half of the story is entirely Xiao Po's dream, full of wild imagination, and also implies the author's ridicule of the various practical disadvantages of Nanyang. 12. "Doctor Wen" tells the story of Wen Zhiqiang, a doctor of philosophy with evil intentions and ambitions who returned to China after studying in the United States. Dr. Wen is a ruffian politician who has no knowledge but is good at power. He used the foreign brand of studying in the United States as a doctor to cheat, curry favor with the powerful, and get a job as a "commissioner" with both fame and fortune. Although he also loves money, he knows that in order to make money, he must become an official. Therefore, the philosophy of life he believes in is the two-in-one of "money standard plus official standard". Lao She used a sharp pen of ridicule and ridicule to lash out at the ugly people among the "Confucian scholars" in old China.

Lao She is the originator of contemporary Beijing-style literature, and his prose writing also benefits from the influence of folk literature and art. From form to content, both refined and popular people can appreciate it. This book may describe cultural landscapes and natural scenery, or capture the details of daily life and family life, or express condolences and inner emotions for teachers and friends, or introduce his own creative experience and works. It is run through Lao She's consistent humorous style, allowing people to savor life in a light and humorous way.

"Two Horses" is Lao She's early work, written in England in 1929. The novel creates a superstitious, moderate, sloppy, and lazy slave-like character, Lao Ma. His life creed is to live in peace, which is reminiscent of Lu Xun's Ah Q. The difference is that Ah Q lives in the countryside of old China, while Lao Ma is an overseas Chinese living abroad. Lao She deliberately put Lao Ma in a foreign situation to portray him. Through the life of Ma and his son in London and their interactions with the British, he looked at the differences between Eastern and Western nations, and tried to highlight the absurdity of backward national character in the context of the comparison of Chinese and Western cultures.

·To commemorate the 120th anniversary of the birth of Mr. Lao She in 2019, this book selects Mr. Lao She's prose and essays to show readers the unique charm of the language master and reproduce the humorous, simple and friendly style of a "people's artist". ·Five themes: "Everywhere you go, there is scenery", "Life needs a little vitality", "People change, and the seasons are the same as usual", "The soul of humor has its own reasons", "Listening, reading and writing also seek deeper understanding", seize the fun and inspiration that appear at any time in life, and record the ordinary and interesting moments of citizens' lives. ·The text is printed on imported light-weight paper, which feels soft and comfortable; the special paper hardcover surface is framed with a large girdle design, and the binding is exquisite, making it more suitable for collection.

"Camel Xiangzi" is one of Lao She's masterpieces. The novel describes the tragic fate of a rickshaw puller during the warlord war in the 1920s. The tragic story of the rise and fall of a young, strong and energetic rickshaw puller Xiangzi in Beiping, China, in the dark Corroded by the social environment, the story of how a kind, responsible, and righteous rickshaw puller gradually deteriorated in life, personality, and politics, and finally became a human being and a ghost, reflects the suffering life of the people at the bottom of old Chinese cities. The work centers on Xiangzi, a rickshaw puller, and is intertwined with the secular customs of Beijing's poor society. The author uses realistic writing techniques and compassionate feelings to create a number of unforgettable artistic images such as Xiangzi and Huniu. This novel has an important position in the history of modern Chinese literature and has a high reputation around the world.

The three-act drama "Teahouse" is Mr. Lao She's masterpiece and a classic in the history of Chinese dramas. Each character's lines are designed to be very vivid, expressive, full of personality, concise and concise, with profound meaning. "Teahouse" is still a standing repertoire of modern theaters. In addition to "Teahouse", this book also collects Mr. Lao She's most representative short stories and essays. The selected articles are all representative works praised by experts and readers, allowing readers to have a more complete, concentrated and rich appreciation of Mr. Lao She's unique ideological and artistic panorama.

"Teahouse" is one of Mr. Lao She's masterpieces. Lao She condensed a time span of half a century and more than 50 characters into a teahouse, summarizing the opposition and conflicts between various classes and forces in Chinese society, and revealing the historical destiny of semi-colonial and semi-feudal society. "Longxugou" is an ode to the new socialist China, reflecting the different fates of the Chinese people before and after liberation as well as their support and love for the party and the government.

This is a classic Chinese modern novel and one of Mr. Lao She's masterpieces. Against the background of the outbreak of the Marco Polo Bridge Incident and the fall of Peking, the novel takes the life of four generations of the Qi family as the main line, and vividly and vividly depicts the ups and downs, life and death of people from all walks of life and all kinds of people represented by the residents of Xiaoyangquan Hutong. The work describes the tragic experience of the vast number of civilians under the iron heel of the Japanese invaders in the abnormal state of the world after the fall of Peiping. The uneasiness, confusion and shock after the ancient and peaceful life was shattered. It lashes out the ugly souls of the perpetrators who attached themselves to the enemy, exposes the brutal crimes of Japanese militarism, and reflects the common people. The heroic and fearless resistance in the face of a powerful enemy eulogized and promoted the great patriotism and steadfast and noble national integrity of the Chinese people. It epically demonstrated the outstanding contributions made by the Chinese people to the world anti-fascist war during the Second World War. It was magnificent and evocative. Mr. Lao She used his profound and exquisite artistic skills and superb novel skills to depict a series of vivid artistic images such as Qi LaoRen, Rui Xuan, Da Chibao, Guan Xiaohe, etc., Showing a rich picture of life in Peiping, which has been widely read to this day and remains fresh for a long time...

In October 1953, Lao She went to North Korea with the third condolence delegation to North Korea. "The Nameless Highlands Got a Name" describes the battle at Lao Tushan during the War to Resist U. S. Aggression and Aid Korea, and tells the glorious history of the great soldiers of the motherland who defended the motherland and fought under extremely difficult conditions during the War to Resist U. S. Aggression and Aid Korea. Through the description of this battle, it demonstrates the revolutionary spirit of the Chinese People's Volunteers who are not afraid of hardships and courage, as well as the noble custom of loving peace and supporting justice. It also praises the deep feelings between the Volunteers and the Korean people.

This book is a rare literary theory work by Mr. Lao She. It is not only his insights into creative practice, but also a summary of his studies. In the book, Mr. Lao She discusses Chinese literary theory throughout the ages and skillfully introduces important Western literary theory ideas. A comprehensive and unique interpretation of literature from the perspective of a writer, turning serious and boring theories into sparkling wisdom, talking about the characteristics, creation, origin, style, and form of literature, as well as the ethos and tendencies of literature. This book is not only an important reading for the study of Lao She's views on literature and art, but also a rare introductory book on literary theory.

"Teahouse" is the title of a Chinese drama, one of Mr. Lao She's masterpieces. The story in the play all takes place in a teahouse in Beijing. People come and go in the teahouse, and people of all colors and religions gather together. A big teahouse is like a small society. Mr. Lao She captured the characteristics of this scene and highly concentrated the fifty-seven main and secondary characters in the teahouse over a half-century time span, showing three periods after the failure of the Reform Movement of 1898 in the late Qing Dynasty, the period of the Beiyang warlord separatism in the early years of the Republic of China, and the eve of the fall of the Kuomintang regime. The modern life scenes summarize the sharp opposition and conflicts between various classes and forces in Chinese society, and reveal the historical destiny of semi-feudal and semi-colonial China. This play is also one of the classic plays of the Beijing People's Art Theater and was later adapted into a movie and TV series of the same name.

This book is Lao She's classic drama. Friends who like Lao She's works should not miss it. "Teahouse" is structured into three acts. It takes the rise and fall of a large teahouse called Yutai in old Beijing as the background, and shows the social landscape of Beijing and the life changes of different people from all walks of life in the nearly 50 years from the late Qing Dynasty to the Beiyang Warlord period and then to the victory of the Anti-Japanese War. Each scene describes an era, with people from all walks of life in Beijing coming in and out of this big teahouse. What the whole play displays are magnificent historical pictures, vividly explaining the inevitable demise of old China and the inevitability of the birth of new China. There are nearly 50 characters appearing in the script. There are many characters but distinct personalities. You can "know the person by hearing their voice" and "outline the outline of a character in a few words." The work depicts the dismal management of the ancestral "Yutai Teahouse" by teahouse owner Wang Lifa. Although he is shrewd, tactful, and devoted, he is ultimately unable to stop the decline. It reflects the trend of Chinese society from the side.

"The Majesty on the Train" is an adaptation of the old work "Mr. Breeches" is a one-act play and is one of Lao She's complete works.

The predecessor of "Tea House" is "The Three Qin Brothers". In 1956, Lao She wrote a drama "The Three Qin Brothers" to promote universal suffrage. It has four acts and six scenes. It uses the four historical periods of the Reform Movement of 1898, the Revolution of 1911, the Northern Expedition, and the eve of liberation as the plot background and has many characters. The play begins in the 24th year of Guangxu's reign (1898) and ends in 1948 when the reactionaries "elected the Beijing Municipal Senate."

"Who Arrives in Chongqing First" has four scenes. The protagonist Wu Fengming helps his younger brother Feng Yu escape from the occupied areas of Peiping and go to Chongqing to participate in the Anti-Japanese War. He stays in Peiping to assassinate Japanese officers and traitors, and finally dies for his country. Before he died, he said, "I got to Chongqing first." Here, Chongqing has become the center and spiritual symbol of the Anti-Japanese War. The first thing that comes to Chongqing is to devote oneself to the Anti-Japanese War.

"Frog Rider" tells the story of a girl who fell in love with a prince who descended from heaven and wore frog skin. She burned the frog skin, causing the prince to die and she herself turned into a stone in front of the grave. The story is twists and turns, vivid, euphemistic and sad, and full of romance.

The play revolves around the joys and sorrows of several generations of a family and their neighbors in a Beijing Hutong, showing a picture of secular life.

The historical drama "Qingxia Danxue" was written in 1959. It describes the story of Yan Song and his son's monopoly in the Ming Dynasty. The obedient prospered and the rebellious perished. They appointed Xiaoxiao and persecuted the loyal and good. The title of the play is taken from the names of loyal ministers Feng Qingxia and Feng Danxue.

"Who Arrives in Chongqing First" has four scenes. The protagonist Wu Fengming helps his younger brother Feng Yu escape from the occupied areas of Peiping and go to Chongqing to participate in the Anti-Japanese War. He stays in Peiping to assassinate Japanese officers and traitors, and finally dies for his country. Before his death, the protagonist said, "I got to Chongqing first." Here, Chongqing has become the center and spiritual symbol of the Anti-Japanese War. The first thing that comes to Chongqing is to devote oneself to the Anti-Japanese War.

Chun Hua Qiu Shi, a play written by Lao She in 1953, depicts the struggle against bourgeois wrongdoing.

"The Three Qin Brothers" tells the story of the different destinies of the three brothers Qin Boren, Qin Zhongyi, and Qin Shuli who experienced several key periods including the 1898 Coup of 1898, the Revolution of 1911, the Northern Expedition, and the Civil War between the Kuomintang and the Communist Party.

"Dragon and Snake of the Earth" is almost the only one among Lao She's works that has not received serious attention from the research community, but it is the work that best reflects Lao She's cultural thoughts. Its heritage has great potential and necessity to be explored. This article conducts a comprehensive exploration of it from aspects such as conception, conception, and writing. This is a piece of "commissioned literature". Lao She used the Anti-Japanese War to review Chinese culture and express his own cultural ideals. This is an "ideal" rather than "conceptual" work. Lao She harvested the nation's "spiritual crop" and it is still full of enlightenment today. The main characters set up in the play have profound meanings.

This book is a group of old artists represented by Wei Xikui who used the form of folk art to compile some works with dramatic elements. It was originally titled "Quyi Drama". Mr. Lao She found this form very attractive after watching it. He once wrote an article describing this kind of folk art as a mixture of drama, opera, Peking opera, Pingxi opera and folk art, which is a bit "four different things". Later, Lao She wrote the script "Willow Tree Well" for the folk opera. He also suggested that the word "art" should be removed from the opera and simply be named "quju". He also put forward some very pertinent opinions for the development of opera. "Willow Tree Well" is the pioneer work of Beijing Opera.

This book contains six works: "Teahouse", "Longxugou", "Five Tigers' Soul-Severing Gun", "Spring and Autumn", "Red Courtyard" and "Youth Commando". "Teahouse" is Lao She's most representative work. It shows the social changes of nearly half a century before the Reform Movement of 1898, the warlord war, and the founding of the People's Republic of China. It reveals the darkness, corruption, and weirdness of Chinese society at that time, and shows the joys, sorrows, joys, and sorrows of all living beings in society. The language is plain and the flavor of Beijing is strong. It makes people cry when reading it. It is a treasure in the history of Chinese drama.

"Teahouse" is Lao She's representative drama collection, which includes his famous dramas "Teahouse", "Longxugou" and "Treasure Ship". "Teahouse" is a classic in the history of Chinese drama, created in 1956. The play uses the rise and fall of a large teahouse called Yutai in old Beijing as the background, and shows the social landscape of Beijing and the life changes of different characters from all walks of life in the nearly 50 years from the late Qing Dynasty to the Beiyang Warlord period to the victory of the Anti-Japanese War. Each scene depicts an era, with people from all walks of life in Beijing coming in and out of this big teahouse. The whole play shows a series of magnificent historical pictures, vividly illustrating the demise of old China and the inevitability of the birth of new China.

"Teahouse" is one of Mr. Lao She's masterpieces and one of the classic plays of the Beijing People's Art Theatre. The story in the play takes place in a large teahouse called "Yutai" in Beijing. People come and go in the teahouse, and people of all colors and religions gather together. A large teahouse is like a small society. Through the description of the life changes of various characters in the teahouse, the whole play reveals the social outlook in three specific historical periods: the late Qing Dynasty, the early Republic of China, and the victory of the Anti-Japanese War, and reveals the opposition and conflicts between various social strata and several forces at that time. The work expresses the turmoil and dark reality of the semi-colonial and semi-feudal society of old China, and is an elegy for the old society.

Selects Lao She's major prose, essays and translations from various periods. An outstanding language master, whether he writes about people, scenes, feelings or events, his feelings are sincere and his love and hate are clear; he is concise, clear, short and precise, easy to understand, simple to explain, humorous, thought-provoking, and has unique characteristics. Prose: "Thinking of Peiping", "Spring of Daming Lake", "Some Impressions", "Another Year of Green Grass", "Master Rabbit", etc. Essays: "Immature Grain", "Miscellaneous Talks of Duoshuzhai", "Literature and Carpentry", "The Dangers of Humor", etc. Translations: "The Great Yao Who Gone Wrong", "Christian Ecumenism", "Trench Foot", etc.

This volume contains Lao She's major prose masterpieces from various periods, such as "Thinking of Peiping", "Cat", and "Appreciation of Baotu Spring". Lao She's prose, whether describing people, scenes, emotions or events, has sincere feelings and clear love and hate; it is concise, clear, short and precise, easy to understand, simple to understand, humorous and thought-provoking.

"Jianbei Pian" is a long narrative poem written by Lao She in drum style during the Anti-Japanese War. It is also the only long poem published by Lao She during his lifetime. From here we can see a truly moving aspect of Lao She's creations.

This book selects 72 pieces of Lao She's prose, covering the author's diverse prose works describing scenery, scenery, characters, and human feelings. His prose may be based on citizens' life, reflect common social conflicts through ordinary scenes, and explore his thoughts on the survival and destiny of the people of old China; or describe the interesting life stories of intellectuals and the interactions of literati; or describe the scenery, customs and customs of various places at home and abroad, with meticulous details and extremely exaggerated strokes. The works are full of the interest of life and run through Lao She's consistent humorous style, allowing people to taste the severity and heaviness of life through lightness and humor. Lao She's creations benefited from the influence of folk literature and art. His prose, from form to content, is both elegant and popular. This makes his works popular, popular, and rich in national color, and is accepted and loved by the general public. Lao She is the originator of contemporary Beijing-style literature. His prose is also full of strong Beijing local color. The language comes from Beijing spoken language, which is catchy and can be recited aloud. From these works, we can see Lao She's mastery of language. Starting from modern spoken language, he evolved modern vernacular that can easily reflect modern life and express modern people's psychological activities. As a generation of language masters, Lao She has made great contributions to the development of modern Chinese vernacular.

Lao She is a modern novelist and dramatist in my country. He is the first writer in New China to win the title of "People's Artist". This book collects the essence of his literary creation throughout his life, divided into three volumes: prose, novels, and dramas. It includes essays such as "My Mother" and "I Love New Beijing", novels such as "No Problem" and "The Soul-Breaking Gun", as well as the famous drama "Tea House". Lao She poured his cheerfulness, humor, simplicity and enthusiasm into these works. They are all masterpieces that enter the world of Lao She's literature.

"How I Write a Novel" is a collection of Lao She's statements about his creative process and creative experience. From how to create "Lao Zhang's Philosophy" and "Zhao Zi Yue" to "Four Generations Under One Roof" and "Teahouse", it also talks about humor, scenery, characters, facts in creation, literary forms, drama, etc. It also touches on various readings. It is rich in content and can be used as a reference for literary creation and research.

The teahouse owner Wang Lifa wanted to make his father's teahouse prosperous, so he socialized in all directions, but the harsh reality made him often ridiculed and eventually swallowed up by the ruthless society; Qin Zhongyi, a national capitalist who often frequented teahouses, went from being ambitious to save the country through industry to going bankrupt; the bold Fourth Master Chang, a disciple of the Eight Banners, embarked on the road of self-reliance after the fall of the Qing Dynasty. The story in the play all takes place in a teahouse in Beijing. People come and go in the teahouse, and people of all colors and religions gather together. A big teahouse is like a small society.

This book collects Lao She's representative prose works from various periods. Lao She's prose has delicate writing techniques, smooth structure, clear organization, rich and colorful content, and smooth and beautiful language. The prose is permeated with the author's rich social life and complex inner world.

As a master of humor and language in the history of modern and contemporary literature, Lao She's prose works naturally have unique language charm. This book collects 64 of Lao She's classic and easy-to-read proses to restore his kind, humorous and simple personality charm; it especially includes the humorous sketch "Not Traveling", which reappears rare long-lost articles.

"Export into Chapters" is a collection compiled and selected by Mr. Lao She in 1963. Its subtitle is "On Literary Language and Others". The book contains 22 articles he wrote between 1955 and May 1963, including letters and speeches in various forms. This is the only collection labeled as a treatise compiled by Mr. Lao She, which shows that he attaches great importance to this book.

"Under the Red Flag" is Lao She's autobiographical novel. At the end of the Qing Dynasty, social unrest and folk customs were corrupted, and the lives of the banner people became increasingly difficult. In this historical background, the author uses his own birth and growth as a line to show readers the changes in social customs and history, especially the mental state and living habits of the bannermen in the late Qing Dynasty at that time. Each character comes to life in Lao She's writings: the dutiful but embarrassed father, the kind but conservative shopkeeper Wang, the capable but confused second brother Fuhai, the poor but arrogant aunt, the fastidious but living in a trap of fastidiousness... In the turbulent torrent of history, they have moved towards a fate that seems accidental but is inevitable.

"Camel Xiangzi" is a work created by Lao She in 1936. The inspiration for the work came from Lao She's friend telling him about the experience of a rickshaw puller he met. This aroused Lao She's interest, so he collected information and observed the lives of Peking workers to create this novel. The novel tells the story of a rickshaw puller named Xiangzi. In order to realize the freedom of pulling a rickshaw, he vowed to buy his own rickshaw. For this purpose, Xiangzi tried his best to save money, but he kept running into obstacles during the process: he finally bought his own car, but encountered a war and his people and the car were robbed and lost; After saving money, he was blackmailed by the military police; in the end, he married Huniu, whom he didn't like, and finally bought a car for the second time. Huniu died again, and he had to sell the car to pay for Huniu's funeral... With such a series of blows, Xiangzi finally gave up his ideals, muddle along, contracted bad habits, and eventually became a useless person. The work adopts the form of seeing the big from the small, using the disillusionment of a small person's ideals to show the dilemma of ordinary workers in the old era who had no way out. It is vivid, touching and thought-provoking.

"Lao Zhang's Philosophy" is Lao She's early work, first published in "Novel Monthly" in 1926, and first published by the Commercial Press in 1928. It is the starting point for the formation of Lao She's unique artistic personality. The protagonist Lao Zhang is a villain in old Beijing. He holds three professions: "soldier, scholar, and business", and believes in three religions: "Hui, Ye, and Buddhism"; he believes in the "money-based and trinity" philosophy of life. The connotation and essence of the so-called "Lao Zhang's philosophy" is naked philistine philosophy. The novel uses the main plot of Lao Zhang to seize money for himself and resorts to harsh means to break up two pairs of lovers, criticizing this philistine philosophy.

"The Biography of Niu Tianci" uses Lao She's unique humorous style to describe the growth process of a child; an abandoned baby was adopted by a wealthy but childless couple named Niu and named Niu Tianci. My father is a businessman with a so-so philosophy; my mother is a shrewd person who manages the family in an official manner and establishes her authority. Tianci grew up in such a family, and had the guidance of teachers and friendships with friends that had a subtle influence on him. What kind of person has he become? Watch Lao She write "The First Twenty Years of Life", the confusion and turning points of a person's growth

"Four Generations Under One Roof" is a novel written by the Chinese writer Lao She. "Four Generations Under One House" tells the story of the era when the Marco Polo Bridge Incident broke out and Peking fell. It takes the lives of four generations of the Qi family under one roof as the main line. It vividly and vividly depicts the ups and downs, life and death of people from all walks of life and all kinds of people represented by the residents of Xiaoyangquan Hutong. This book narrates the tragic experience of the vast number of civilians under the iron heel of the Japanese invaders in the abnormal world after the fall of Peiping. The uneasiness, panic and shock after the ancient and peaceful life of the school was broken. It lashes out the ugly souls of the perpetrators who are attached to the enemy, exposes the brutal crimes of Japanese militarism, and reflects the common people. The heroic and fearless resistance in the face of a powerful enemy eulogized and promoted the great patriotism and steadfast and noble national integrity of the Chinese people. It epically demonstrated the outstanding contributions made by the Chinese people to the world anti-fascist war during the Second World War. It was magnificent and evocative.

"Artist of Drum Calligraphy" is a work written by Lao She in New York, USA between 1948 and 1949. The Chinese original manuscript was lost. This book was re-translated by Ma Xiaomi based on the English translation. "Lao She's Collection 18: Drum Calligraphy Artist" tells the story of the suffering experience of the Drum Calligraphy artist Fang Baoqing's family, tells the story of old-fashioned artists pursuing a new life in the storm of the Anti-Japanese War, and calls for the arrival of New China.

"Four Generations Under One Roof" is divided into three parts: "Confusion", "Stealing Life" and "Famine", with nearly one million words. It is the longest work among Lao She's works. It is also the work that took the longest time to write, took the most energy and the most difficult completion process. The work is set in the occupied area of ​​Peiping during the Anti-Japanese War, with the life of the four generations of the Qi family living under one roof as the main line. It vividly and vividly depicts the humiliating torture and suffering of people from all walks of life, represented by the residents of Xiaoyangquan Hutong, and the process of their gradual awakening and struggle to resist. It praises their valuable national integrity as well as the Chinese nation's unyielding will to fight and determination to resist the war.

Lao She was born in Beijing and is a famous modern Chinese novelist and playwright. In 1924, he taught at the Oriental College of the University of London and began to write novels. After returning to China, he taught at Qilu University and Qingdao University. After 1949, he served as vice chairman of the Chinese Writers Association and chairman of the Beijing Federation of Literary and Art Circles. In August 1966, he was persecuted and committed suicide in Taiping Lake, Beijing. He is the author of "Lao Zhang's Philosophy", "Two Horses", "Zhao Ziyue", "Divorce", "Cat City", "Camel Xiangzi", "Four Generations Under One Roof", "Teahouse", "Under the Red Flag", "Crescent Moon", "Drum Calligraphy Artist" and many other works that are deeply loved by readers. "Four Generations Under One Roof" is one of Lao She's masterpieces. Against the background of the outbreak of the Marco Polo Bridge Incident and the fall of Peking, the novel takes the life of four generations of the Qi family as the main line, and vividly and vividly depicts the ups and downs, life and death of people from all walks of life and all kinds of people represented by the residents of Xiaoyangquan Hutong.

This book is divided into two volumes. It is a million-word novel written by the Chinese writer Lao She. The work is set in the occupied area of ​​Peiping during the Anti-Japanese War. It describes the psychology and experiences of more than a dozen families and more than 100 people, centered on the four generations of the Qi family, in the "Little Sheep Circle" alley in Beijing. It reproduces the process of the people of Peiping from being confused and depressed, enduring humiliation and living in humiliation to gradually awakening and resisting under the brutal rule of the Japanese invaders. It praises their valuable national integrity as well as the Chinese nation's unyielding will to fight and determination to resist the war. The novel shows people's resistance and awakening during the Japanese invasion. The plot is described in detail, depicting the determination of the people of Peiping to resist the war under cruel oppression and promoting positive energy.