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My boyfriend helped me lame my legs and told me that boiling snow water from the top of the snow mountain can heal my legs. Without saying anything, I climbed up the cliff at an altitude of 5,000 meters to collect snow water for him. But when I stood at the door of the ward scarred and holding the snow water, I heard a malicious voice coming out: "Brother Jiu, today is the deadline. Zhou Nian hasn't come back yet, will he die on the snow mountain?" "I heard that the altitude is high, and ordinary people are prone to lack of oxygen there. It's a pity. She has already taken 99 risks for Brother Jiu, and there is only one trip left. The play is over." "Oh, who let her bully Brother Jiu Qingqing?" Through the gap, I saw Gu Xijiu standing by the window with his legs intact, with a cold expression: "Okay, if this little thing dies, the game is over." I stood there in disbelief, and it took me a long time to realize: So Gu Xijiu was pretending to be lame? I almost couldn't help but laugh out loud. It was so good that I could finally get rid of this burden. I couldn't wait to call Gu Xijiu's brother-in-law: "I agree to marry you."

Gu Yanli went crazy and smashed the Buddhist hall I had carefully built. I jumped down from the building after failing to stop him. When I opened my eyes, I went back to four years ago. I cried and called Gu Yanli's brother: "Yunzhou, I miss you so much." In my previous life, I was not only an outlier that others said was dedicated to chanting sutras and worshiping Buddha, but I was also Gu Yanli's famous licking dog. No one knows, I just rely on his similar appearance to survive. This time, I will change my life and Yunzhou's. We reunited with Gu Yanli again at my engagement party with Gu Yunzhou. Gu Yanli looked pale and asked me in shock: "Song Yumeng, how could you marry my brother?" "Shouldn't you be chanting sutras and praying for me at home now?"

Poems, books, wine, tea. Favors, old things. Cases, dead people. How could such an elegant thing be stained with blood? You only know how to sing while drinking, but you don't know that people who read poetry can also write poems to kill their hearts; people who drink tea may look at tea with hatred; people who read books are willing to die for books; people who drink wine can only use wine to fight. Five ancient-style detective stories, looking at the skills of Jing Fei, an alcoholic official's "detective", and uncovering the secrets behind elegant things. Years pass by in a blink of an eye, but it is difficult to distinguish between good and evil. The charm of the truth is like the truth spoken after drinking.

Stone carvings in the Song Dynasty have become an important political, cultural and literary communication medium. The first part of this book starts from the perspective of communication studies and conducts an in-depth analysis of the political, cultural, literary creation and literary communication functions of stone carvings in the Song Dynasty. The stone carvings of the Song Dynasty influenced the general trend of the rise and fall of the literature of the Song Dynasty through politics. The stone carvings formed a powerful two-way interaction with the cultural spirit of the Song Dynasty. The stone carvings influenced the nature and style of the literature of the Song Dynasty through culture, and strengthened the essential characteristics of the literature of the Song Dynasty. The solemnity and durability of stone carvings are in line with the Song Dynasty's creative psychology of conveying the truth and establishing immortal words. Stone carvings are a powerful summons and promotion for creation. People set examples through stone carvings, guide writing styles, and promote creation. Stone carving communication is a dual-channel, multi-level comprehensive communication method. It combines some of the advantages of oral transmission, copying, collection and engraving, and is the most powerful method of communication for a single work. The second part of this book conducts case studies on the stone carvings of Su Shi, the brook stone carvings and the stone carvings of "The Drunkard's Pavilion". Through a detailed analysis of the relationship between stone carvings and the writers' works in the Song Dynasty, it explores effective methods for researching stone carvings and literature starting from stone carvings and stone carving activities.