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This book is the first work in the field of modern Chinese literature research to discuss modern literary historical materials from the perspective of "historical material criticism." It is a relatively complete summary and reflection on the content, norms, methods, and values ​​of modern literary historical material criticism using critical thinking. The author strives to reconstruct modern Chinese literary historiography with the theory of "historical material criticism." This book has certain innovations in the systematization of modern literary historical material knowledge, the integration of historical material methods, the hierarchical construction of historical material critical theory, the integration of historical material critical methods, and the analysis of specific historical material critical techniques. It is an important domestic treatise on the use of critical thinking to study modern literary historical materials, and has theoretical depth and methodological value.

There are so many Chinese and foreign poems, including ancient epics, narrative poems, and lyric poems, of various kinds. This book only selects some famous Chinese and foreign poems since the Renaissance and have been tested by generations of readers (excluding Chinese poems before the Qing Dynasty). In the long river of poetry, these famous poems are the essence of language, the crystallization of wisdom, the flowers of thought, and the pearls of emotion. It deposits human suffering and joy, disillusionment and dreams, frustration and success, reflects the eternal dignity and beauty in the human spiritual structure, and embodies the persistence and noble feelings of human beings in pursuing truth, goodness and beauty, and abandoning falsehood, evil and ugliness. Humans, living on the earth and living in a noisy world, need this sweet honey to nourish them. The heritage of Chinese and foreign poetry needs to be inherited and developed, and first of all, it needs to be read. Reading is a spiritual activity that enlightens the soul.