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Huang Zhongze, a talented poet who died young, was promoted as the first poet in the Qianlong poetry circle in the Qing Dynasty. Since modern times, writers Yu Dafu, Qu Qiubai, A Ying, Zhang Yiping, etc. Have all praised his poetry. The unparalleled loneliness, lingering love and the hardships of survival for poor people in his poems have all aroused deep resonance in the hearts of future generations. "The stars look like they are not last night, for whom are they standing in the middle of the night?", "Nine out of ten people can look down upon them, but none of them are scholars", "Standing quietly on the city bridge, no one knows, one star is like the moon for a long time", these famous sentences are still popular today. This anthology is based on the editor's years of research and accumulation. It has unique selections, detailed annotations, and in-depth analysis. It also corrects some misunderstandings and misannotations by predecessors. It is currently the best reader of Huang Zhongze's poetry.

There are people born in Jinling who like reading when they are young, and they will study literature as they grow up. They will read books and history without letting go of the scrolls. They like listening to music, playing stereos, and collecting records, including classical music and stereo equipment. Every time the writing is clumsy, the improvisation is brilliant. Some are studying history papers, appreciating music and performing arts; some are listening to the flute and lamenting the passing of others, feeling sadly nostalgic; or even playing with pen and ink on a whim, playing with claws in the snow and mud.

"Perspectives and Methods: An Exploration of the History of Chinese Literature" is a collection of Jiang Yin, a famous scholar in the history of Chinese literature, looking back on decades of student history and reviewing his academic achievements in his 19th year. The book is based on thirty-one cases and includes "The Spiritual Historical Significance and Research of Classical Literature", "Li Yin: Dali Poets' Acceptance of Xie Tiao", "Du Fu and the Laojing of Chinese Poetry Aesthetics", "Lu You's Silence and Popularity", "The Effect of the Imperial Examination Poems in the Twenty-Two Years of Qianlong on Qing Dynasty Poetics" "The Influence of Chinese Literature" and many other representative works, covering four aspects: first, the discussion of the basic theories and basic concepts of Chinese literary history; second, the analysis of specific literary history issues; third, the revelation of the significance of individual writers' literary history; and fourth, the study of literary influence and reception. Because it involves many aspects of literary history research, it is given the subtitle of Exploration of Literary History.

She came from distant ancient times, traveled through thousands of years, and met her sweetheart. He is the son of an aristocratic family, a business wizard, and has a beautiful fiancée. In an accidental car accident, she entangled him. Eating, sleeping, meeting his parents, the dignified president of a multinational group was confused by a woman. "I am Li Fanghua, the thirteenth princess of the Xingyue Dynasty. Mr. Liang, will you be my consort?" The special assistant rolled his eyes. "Girl, I'm afraid your brain is burned out. If you are sick, please go to the hospital." "Assistant Gao, send her to a mental hospital." "How presumptuous! I have never heard of a mental hospital." While speaking, a long sword was unsheathed, and the special assistant was so frightened that he quickly stood in front of his boss. An hour later, the woman was escorted to the police station. The next day, the police chief called: "Mr. Liang, the woman your special assistant sent yesterday must be your wife." A certain man, with a stern face, said for a long time: "It was a misunderstanding. I will send someone to pick her up." ...

This book is a self-selected collection by the famous classical literature researcher Jiang Yin. It uses "The Road of Chinese Poetics" to summarize the main direction of his scholarship for decades, and uses "Between History, Culture and Aesthetics" to show his basic understanding and research path of Chinese poetics. The author's poetic research mainly includes three categories: poetry theory, poetry creation and poetry history. Based on this, the book is divided into four parts. Six articles including "Ancient Chinese Understanding of the Meaning of Life in Poetry" examine poetic issues from the perspective of the history of mentality; six articles including "Du Fu and the "Old" Realm of Chinese Poetry Aesthetics" use Tang poetry as the object to study poetry creation; "Discovering the History of Criticism in China" and other six articles are research results on the history of poetry from the perspective of classical poetry theory; and "Qing Dynasty Poetics and the Construction of Regional Literary Tradition" and other six articles focus on the study of the history of poetry in the Qing Dynasty. The author is good at discovering major issues hidden in the study of Chinese poetry, and conducts multi-angle, all-round, in-depth and detailed exploration and examination from history, aesthetics, and culture. The conclusions he draws are often pertinent and refreshing. This book also reflects the author's great concern for the modernization and "modernity" of Chinese poetics, pointing this path of poetics to the future.

This volume discusses the evolution of poetics during the Qianlong dynasty, taking the poetic world's backlash against Wang Yuyang's poetic poetry and its acceptance of Ye Xie's poetics as a logical starting point, and unfolds in chronological order the changes and changes in poetic trends in the past sixty years. It discusses Shen Deqian's new style poetics and Ji Xiaolan's test poems in sequence. The basic concepts, theoretical innovations, critical achievements and interactive influences of Yuan Mei's spiritual poetry, Weng Fanggang's scholar's poetry, Tongcheng School's poetics and Gaomi School's poetics. Under the theme of conflict and integration of knowledge and temperament, the similarities and differences of their ideas and their influence on later poetics are identified. The whole book adheres to the academic concept of "entering the process" and strives to unfold the internal differences of various schools of poetics through diachronic observation, so that the history of poetics in the Qianlong Dynasty not only presents its unprecedented richness, but also reveals a clear context and overall pattern. In short, whether it is the overall understanding of Qianlong's poetics or the specific interpretation and evaluation of each poetics, this volume puts forward a new conclusion that is different from the academic theory.

This book is one of the Youxue series and is mainly composed of 16 essays, covering the characteristics, periodization and historical status of literature in the Qing Dynasty, the literary ecology of the Ming and Qing Dynasties in the shadow of the imperial examination, literature and regional culture in the Qing Dynasty, and the periodization of the history of poetry in the Qing Dynasty. The types, characteristics and documentary value of poetry collections in the Qing Dynasty, the writing methods and social functions of poetry talks in the Qing Dynasty, poetry talks and novel literature in the Qing Dynasty, research methods of poetics in the Qing Dynasty, a collection of Zou Zhimo's life stories, a review of Ye Xie's travels, Ye Xie's views on literary history, etc.

This book is one of the Youxue series and is a continuation of "Manuscripts on Literature of the Qing Dynasty". It is mainly composed of 14 articles, including Living Elsewhere - The Writing Dilemma of Qing Dynasty Poetry and Strategies to Deal with It, Textual Research on "Mei Ting Tujuan", the Modeling and Dissolution of the Seven Rhythm Structural Theory, the Birth of Yuan Meizhi, the Historical Significance of Weng Fanggang's Song Poetry Criticism, Qianlong Period Poetry The sophistication of singing rhythms and the goodness of French style: a typical case of the transformation of poetics during the Qiang-Jia period, the extreme tendency of the concept of self-expression in poetry during the Qian-Jia period-centered on Zhang Wentao's poetic theory, the echo of spiritual poetics in female poetics, the communication of poetics and literary discourse, and the systematization of Tongcheng School's poetic theory-the historical contribution of Fang Dongshu's poetics, etc.