Library

[Baby Variety Live Broadcast + Reverse Baby Care + Sweet Seduction + Reunion + HE] Photos of his son were exposed, and he became famous on the Internet because he resembles the face of a top actor. Xia Zhi was invited to take Zaizai to participate in the baby competition. While other female guests were trying their best to take good care of their children in front of the camera, Xia Zhige lay down and taught her son with a spatula in his hand: "Ranbao, you are already a five-year-old child. You must take the initiative to shoulder the burden of life. "Take care of mom, you know?" The little guy flipped the spoon skillfully and looked at his own mother lovingly: "Mom, let's have five dishes and one soup for dinner." Who would have thought that the actor's ex-boyfriend, who had been separated for five years, would come to the hospital and the three of them would start a family. The whole day, the whole family was in tit-for-tat, vying to sleep with her. The little guy's eyes were cold, as if he was about to bite someone in the next second: "Why do you sleep with your mother?" Fu Jinye sneered: "I am your father, and you were not as big as a sesame when I was with your mother." Xia Zhi speechlessly drove the two of them out of the room and said angrily: "You two sleep together tonight!" - Everyone said that the actor Fu Jinye was ascetic, reserved, and distant, and was an unattainable flower on the mountain. Only Xia Zhi knew that this man was a madman. Xia Zhi was furious: "Fu Jinye! We have broken up!" Fu Jinye leaned forward and pressed her lips against hers, "Baby, be good, don't say anything that makes me sad, otherwise I can't guarantee what I will do to you."

Jiang Xun has only one work on mythological themes in his creative career! He said: "This is my favorite work!" Jiang Xun began writing a series of mythological stories in 1988 and has completed a total of eighteen stories. He has spent more than thirty years helping himself fulfill his greatest wish. Through the metaphors of fairy tales, we understand the invisible parts of ourselves, whether it is cruelty, desire, unfulfilled happiness, or the ultimate passion in the ordinary. Perhaps, only by using the various human natures in legends as a mirror can we see the true meaning of life clearly.

Have you ever been saved? I have not. I don't know where the future will lead, and now I'm just walking forward quietly. I want to abandon everything, live without any worries, and not hurt anyone. I don't know what will become of me. But I still hope and yearn to be loved

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

Following "Jiang Xun on Tang Poetry" and "Jiang Xun on Song Ci", Mr. Jiang Xun comprehensively and systematically sorted out the context of Chinese literature, interpreting the beauty of nearly three thousand years of Chinese literature from pre-Qin to modern times from an aesthetic perspective. In this volume, Mr. Jiang Xun relies on his profound aesthetic skills and keen insight into real life to narrate the classic works of Chinese literature from the Tang Dynasty to modern times in plain language. With the unique artistic conception of literature, he observes the inner world of people today and helps everyone regain their feeling of beauty and life.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

Mr. Jiang Xun follows the chronological context of the Five Dynasties, Northern Song Dynasty, and Southern Song Dynasty, and presents the masterpieces of important poets such as Li Yu, Feng Yansi, Fan Zhongyan, Yan Shu, Yan Jidao, Ouyang Xiu, Liu Yong, Su Shi, Qin Guan, Zhou Bangyan, Li Qingzhao, Xin Qiji, Jiang Kui, etc.

The literature of the pre-Qin, Han, Wei, and Jin dynasties is a stage where Chinese literature is gradually maturing. It is a picture of life that cultivates the soul, advocates nature, and is full of passion. Their beauty is full of love, romantic worry, and strong character, setting different models for later generations of literature.

As long as people pursue spiritual freedom, they will definitely love poetry. Mr. Jiang Xun said: "When we face Tang poetry, almost everyone feels that Tang poetry is so charming and the world inside is so moving. If we ask further, maybe it is because the world described by Tang poetry is the one we lack the most experience. We read poems about running away when we are least afraid to run away, we read poems about loneliness when there is the least possibility of loneliness, and we read poems about being conceited when we have the least conditions to be conceited."

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This series of books is compiled from a series of lectures on the theme of "The Beauty of Chinese Literature" by Mr. Jiang Xun in Taiwan. It is divided into five volumes: "Chiang Xun Talks about Literature: From the Book of Songs to Tao Yuanming", "Chiang Xun Talks about Tang Poetry", "Chiang Xun Talks about Song Ci", "Chiang Xun Talks about Literature: From Tang and Song Prose to Modern Literature" and "Beauty, Invisible Competitiveness". Jiang Xun tells the history of Chinese literature from ancient times to modern times, which is a complete general history of literature. First, it is beautifully told and has a very different interpretation of beauty in Chinese literature. Second, the writing is smooth and elegant, without difficult academic vocabulary and frameworks. The "Jiang Xun on the Beauty of Literature" series is a rare introductory book for readers to fully understand Chinese literature and aesthetics from beginning to end.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

This is Jiang Xun's painstaking work after reading "A Dream of Red Mansions" dozens of times over half a century. It has nothing to do with red studies and does not involve textual research. The author starts from the perspective of youth and beauty and leads readers to read the novel itself word by word, sort out the characters and emotions in "A Dream of Red Mansions", explore the disillusionment of prosperity and the sorrow of passing expressed in the book, and tell the loneliness, loneliness and hesitation of youth. This is one life questioning and listening to other lives. Reading "A Dream of Red Mansions" with Jiang Xun is like reading my own life. Jiang Xun said: I read "A Dream of Red Mansions" as a "Buddhist scripture" because compassion is everywhere and enlightenment is everywhere.

Everyone in the Northern Jin Dynasty didn't know that their current king was a tyrant. He was unruly, violent, and cruel, and everyone was afraid of him. No one dared to touch the evil scales of this Northern Jin king. Not long after, a queen came to the palace. She was gentle, virtuous, submissive and elegant, and everyone praised her. It was such a white rabbit-like woman who actually coaxed the King of the Northern Jin Dynasty to lose his sense of propriety for her, and pampered her so much that everyone in the world became red-eyed...