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This book is a collection of short stories and short stories by young writer Jiang Lin. It is divided into fourteen chapters: Echoes of the Lonely Mountain, Fish Swimming in the Heart, Keeping Warm, Looking for Leslie Cheung, Rose, and Non-stop Sadness. It mainly records the author's mental process, his nostalgia for his hometown and his childhood, and his observation of the differences between urban and rural areas. It is a correct-oriented and positive work.

The majority of party members and cadres must learn from Comrade Jumei Dorje's excellent qualities and valuable spirit, promote the solution of practical problems in the people's production and life, and enable people of all ethnic groups to live a happier and better life. Comrade Jumei Dorje has always been loyal to the party and firm in his beliefs. He has always been based on the grassroots and dedicated to the people. He has always cherished unity and opposed divisions. He has always worked selflessly and devoted himself silently. He has used his youth, blood and life to compose a hymn of the times for the Communists.

This is a long novel that explores the confusion of life, which points to the end of life. The protagonists of the novel are Mr. Ling, a 66-year-old "me" who was diagnosed with late-stage lung cancer, and Xiao Ke, a 10-year-old boy who is also terminally ill. When the two of them were about to come to the end of their lives, they came to a hospice hospital by chance. They have completely different lives: one regrets the mediocrity of a fragmented half-life, and the other regrets that he has no chance to live out his future life. But this couple, who have been friends for many years, embarked on a strange ideological journey here: how to find themselves in the ordinary and vivid journey of life, and think about the true meaning of death in life.

This book contains 14 papers written by scholars from mainland China, Hong Kong and Taiwan over more than 30 years. These papers conduct in-depth thinking and discussion on Mo Yan's works, and present us the most enlightening research results on Mo Yan's novels from three aspects: macro, micro and comparison. The macro research results cover topics such as Mo Yan and the Chinese spirit, Mo Yan's inspiration, magic and localization, folk nature, etc.; The micro research results focus on in-depth analysis of Mo Yan's novels. The novels involved mainly include "Transparent Carrot" and "Life". "Deadly Fatigue", "Red Sorghum Family", "Big Breasts and Wide Hips", "Wine Country", "Sandalwood Punishment", "Frog", etc.; The last research paper in the collection compares the different cultural connotations and individual styles of the works created by Mo Yan and Faulkner in terms of theme, form and inner spirit. As one of China's contemporary avant-garde writers, Mo Yan is the first Chinese to write in Chinese and win the Nobel Prize for Literature. The publication of this book is an important event that contains profound revelations and has broad significance, both for the Chinese literary world and for the exchange and integration of Eastern and Western cultures.

The novel tells a story that happened to the unknown author Xiao Mu in the voice of the writer Mo Fei. Xiao Mu was deeply hit by the many hardships in life and fell into despair. Because of his love for his first love Xiao Haibo, Xiao Mu broke away from despair, found hope, and opened a "Despair Collection Room" on the Internet to listen to letters and bring hope to lonely and desperate people. Later, Murphy took over Xiao Mu and Xiao Haibo's "Return" bookstore and renamed it "Lighthouse" bookstore, hoping to ignite people's hope in life.

The spring night was filled with warmth and uneasiness, and chaotic thoughts were crawling crazily in Ma Chaoyue's mind. He sat in front of the computer, his face full of anxiety and solemnity. There is a novel for which the idea is already well understood. However, every time Ma Chaoyue sits in front of the computer and prepares to write, he seems to have lost his ability to express himself in language and cannot hold back a single word. The contradiction that he wanted to write but could not write had been accumulating in Ma Chaoyue's heart for a long time. He was anxious, but the effect did not improve at all because of his anxiety. Despite this, he had no intention of giving up this writing that was destined to go through hardships. Ma Chaoyue silently vowed in his heart that everything depends on human effort, and he must turn his ideas into shocking works. In Ma Chaoyue's conception, this is a very peculiar novel, with a complex and mysterious relationship with himself.