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Huacheng
General Fiction化城
Ji Wenjun
In order to get ahead, some people do not hesitate to lower their bottom line again and again; some people feed others "chicken soup" and drink the bitter wine, but they enjoy it as if they are sweet wine. In the new self-media era, everyone has the opportunity to become a star. Read it, this is your and my "City". The stolen gong cannot be struck-Jiang Zi knew it, but he made himself a stupid thief. If you have the guts to be a thief and want to eat meat, you must have the strength to withstand the beating. Lin Xiaoxiao's scoldings came overwhelmingly on the other end of the phone. Every time Jiang Zi tried to argue, she was beaten back by Tou Tou. After that, she stood there in silence. Lin Xiaoxiao's attacks became more and more powerful. Jiang Zi wanted to yell back several times, but she held it back, making her whole body tremble slightly. There was a beeping disconnection sound, and Jiang Zi let go of her slightly convulsing hand and let the phone fall on the bed.
In order to get ahead, some people do not hesitate to lower their bottom line again and again; some people feed others "chicken soup" and drink the bitter wine, but they enjoy it as if they are sweet wine. In the new self-media era, everyone has the opportunity to become a star. Read it, this is your and my "City". The stolen gong cannot be struck-Jiang Zi knew it, but he made himself a stupid thief. If you have the guts to be a thief and want to eat meat, you must have the strength to withstand the beating. Lin Xiaoxiao's scoldings came overwhelmingly on the other end of the phone. Every time Jiang Zi tried to argue, she was beaten back by Tou Tou. After that, she stood there in silence. Lin Xiaoxiao's attacks became more and more powerful. Jiang Zi wanted to yell back several times, but she held it back, making her whole body tremble slightly. There was a beeping disconnection sound, and Jiang Zi let go of her slightly convulsing hand and let the phone fall on the bed.

谁是继承人:《红楼梦》小说艺术现当代继承问题研究
Ji Wenjun
"Who is the Heir - A Study on Modern and Contemporary Inheritance Issues in the Novel Art of Dream of Red Mansions" edited by Ji Wenjun is one of the "Chinese Modern Literature Museum Research Series". Based on "History of Red Mansions" and the history of modern and contemporary literature, it studies and discusses the modern and contemporary inheritance issues and phenomena of the novel art of "A Dream of Red Mansions". Starting from the May Fourth Movement period, "A Dream of Red Mansions" began to break away from ordinary Chinese classical novels and became a must-read for Chinese literature. It influenced readers and writers, and participated in the creation of modern and contemporary Chinese novels as a special classic. Since the "May 4th Movement", through the entire modern literary period, the "Seventeen Years" period, the "Cultural Revolution", the new era and the new century, the status of "A Dream of Red Mansions" in the entire Chinese literary coordinate system has been continuously upgraded, and its influence covers the entire history of modern and contemporary Chinese literature, becoming an indispensable Immovable classics, such as Ba Jin's "Home", "Spring" and "Autumn", Lao She's "Four Generations Under One Roof", Lin Yutang's "Beijing", Zhang Ailing's "Legend" and many other famous modern and contemporary literary works have inherited the novel art of "A Dream of Red Mansions" from different perspectives of narrative paradigm. The modern and contemporary inheritance of the novel art of "A Dream of Red Mansions" reflects the most mainstream creative tendencies and the most prominent issues in each stage of the narrative development of contemporary novels.
"Who is the Heir - A Study on Modern and Contemporary Inheritance Issues in the Novel Art of Dream of Red Mansions" edited by Ji Wenjun is one of the "Chinese Modern Literature Museum Research Series". Based on "History of Red Mansions" and the history of modern and contemporary literature, it studies and discusses the modern and contemporary inheritance issues and phenomena of the novel art of "A Dream of Red Mansions". Starting from the May Fourth Movement period, "A Dream of Red Mansions" began to break away from ordinary Chinese classical novels and became a must-read for Chinese literature. It influenced readers and writers, and participated in the creation of modern and contemporary Chinese novels as a special classic. Since the "May 4th Movement", through the entire modern literary period, the "Seventeen Years" period, the "Cultural Revolution", the new era and the new century, the status of "A Dream of Red Mansions" in the entire Chinese literary coordinate system has been continuously upgraded, and its influence covers the entire history of modern and contemporary Chinese literature, becoming an indispensable Immovable classics, such as Ba Jin's "Home", "Spring" and "Autumn", Lao She's "Four Generations Under One Roof", Lin Yutang's "Beijing", Zhang Ailing's "Legend" and many other famous modern and contemporary literary works have inherited the novel art of "A Dream of Red Mansions" from different perspectives of narrative paradigm. The modern and contemporary inheritance of the novel art of "A Dream of Red Mansions" reflects the most mainstream creative tendencies and the most prominent issues in each stage of the narrative development of contemporary novels.