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This book comprehensively reviews the relationship between Marxist literary theory and Chinese literary theory in the 20th century, and summarizes it into three aspects: from the perspective of historical process, Marxist literary theory influenced the system construction of Chinese literary theory in the 20th century, promoted its spatial expansion, and promoted the emergence of Chinese Marxist literary theory; from the perspective of theoretical category, Marxist literary ideology is the theoretical basis of the ideological category in Chinese literary theory in the 20th century, and Marxist realism theory is the theoretical foundation of the ideological category in Chinese literary theory in the 20th century. It is the core resource of the realist category in Chinese literary theory. The Marxist theory of national culture is the academic basis for the category of national form in Chinese literary theory in the 20th century. The Marxist literary criticism standards are the fundamental follower of the literary criticism category in Chinese literary theory in the 20th century. From the perspective of development trends, the scope of Marxist literary theory still needs to be open and expanded in contemporary China. The Marxist theory of artistic production and the spirit of literary criticism have important practical significance and influence contemporary Chinese literary and artistic activities.