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Rebirth 1980: Starting from Making Movies in Tokyo

I Am A Little Mushroom

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In 1980, Han Fei woke up from his tenderness and found himself a tired Chinese wage earner in a convenience store on the streets of Tokyo. Before he could digest the shock of rebirth, even greater bad news came. The original owner of this body actually owed a life-crushing loan shark! Huge debts with high interest rates are like sharp knives hanging from the neck, and the ferocious faces of debt collectors are right outside the door. As a top film doctor who has read countless films in his previous life and is proficient in theory and practice, after activating a golden finger called [Superdimensional Memory Library]. In a desperate situation, I saw the only way to survive: make a movie! At the beginning of this bubble era when Japan's economy is about to take off, social desires are expanding, and entertainment needs are exploding, he wants to use his lens to leverage wealth and weave legends with light and shadow. A low-cost but timeless mockumentary filmed in the back alleys of Tokyo using a borrowed broken camera and tricking convenience store colleagues into becoming actors. Han Fei embarked on this crazy film path that was pushed and ridiculed by his peers, but destined to shine all over the world. He will use his small skills to turn decay into magic, and use phenomenon-level movies that accurately touch the pulse of the times, step by step from Tokyo's underground theaters to mainstream theaters, sweep the Japanese box office, and finally win the Oscar and dominate the global entertainment industry! This is a legend dancing on the edge of a knife, a story of rebirth that uses light and shadow to fight darkness and conquer the world with talent. Bubbles may burst, but classics never fade.