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Manhole Mystery
Suspense沙井迷案
Huang Yangsu Mu
On a casual trip, I met a confidant of decades; I saw an ancient national totem in person, and accidentally walked into a mysterious sacrificial ceremony; the snow-capped mountains were majestic and the vast sea was boundless, and all individuals were like derailed stars, losing their direction of movement. When you are lost, only with firm faith can you have the power to break through the obstacles. This is a dangerous desert journey, but everything seems to be a set geological adventure. What kind of conspiracy is behind it?
On a casual trip, I met a confidant of decades; I saw an ancient national totem in person, and accidentally walked into a mysterious sacrificial ceremony; the snow-capped mountains were majestic and the vast sea was boundless, and all individuals were like derailed stars, losing their direction of movement. When you are lost, only with firm faith can you have the power to break through the obstacles. This is a dangerous desert journey, but everything seems to be a set geological adventure. What kind of conspiracy is behind it?

Beyond Evidence of Guilt
Mystery罪证之外
Huang Yangsu Mu
The author understands that IPs such as "decadent culture", "aesthetics of violence" and "criminal psychology" are prevalent in contemporary times, and have attracted a large number of "scammers" who are obsessed with them. If your so-called "art" cannot achieve the height of thought and promote the perfection of personality, then listen clearly, it is not "art", it is harming you. The author must warn you: as long as you deliberately harm innocent people, you cannot achieve the height of art. Art and beauty are not meant to harm people. Crime is crime. This kind of practice harms others and ourselves. It is not "cool", not "cool", not "beautiful", and it should not be regarded as a norm or form an "aesthetics" or a "sect". Adhering to this principle, in this novel, no matter how high the so-called "criminal talent" of the characters is or how clever the "competitive techniques" are, they cannot escape the sanctions of the law, let alone try to escape guilt. The author has always believed that, regardless of whether you are a genius or not, there is absolutely room for your personality and intelligence to be used in other ways - "Everything can be done within a small area." Resorting to violence and illegal crimes will only alienate oneself from others and suffer consequences. As citizens, we should do our best to resist evil forces, strictly guard our inner defenses, and grasp the scale of justice in our hearts.
The author understands that IPs such as "decadent culture", "aesthetics of violence" and "criminal psychology" are prevalent in contemporary times, and have attracted a large number of "scammers" who are obsessed with them. If your so-called "art" cannot achieve the height of thought and promote the perfection of personality, then listen clearly, it is not "art", it is harming you. The author must warn you: as long as you deliberately harm innocent people, you cannot achieve the height of art. Art and beauty are not meant to harm people. Crime is crime. This kind of practice harms others and ourselves. It is not "cool", not "cool", not "beautiful", and it should not be regarded as a norm or form an "aesthetics" or a "sect". Adhering to this principle, in this novel, no matter how high the so-called "criminal talent" of the characters is or how clever the "competitive techniques" are, they cannot escape the sanctions of the law, let alone try to escape guilt. The author has always believed that, regardless of whether you are a genius or not, there is absolutely room for your personality and intelligence to be used in other ways - "Everything can be done within a small area." Resorting to violence and illegal crimes will only alienate oneself from others and suffer consequences. As citizens, we should do our best to resist evil forces, strictly guard our inner defenses, and grasp the scale of justice in our hearts.