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This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

"The Temptation of Books" contains dozens of essays, prefaces and postscripts written by Professor Huang Shizhong about his studies, reading, cherishing people, and searching for documents, as well as an "Appendix" news report and a preface written by Professor Zheng Shangxian for "Research on the History of Chinese Opera". The articles included in this book cover Professor Huang Shizhong's insights and reflections on his studies and exploration of academic paths, his memories of his teachers and scholars, his experience in searching for rare opera documents at home and abroad and the process of compiling and publishing them, and the stories of Japanese scholars who collected and searched for documents in China in modern times. On the whole, it is a lively and lively book. His academic growth experience as a scholar and his rigorous and realistic academic insights can be seen everywhere in the text, which can provide readers with fresh information to fully understand and understand Professor Huang Shizhong's academic experience and the development of academic thoughts. They can also gain more understanding of Professor Huang Shizhong's life warmth outside of academics through the text. This book is written with both the rigor of a scholar and the relaxed and joyful daily thoughts of an academic. The overall content is rich, the writing is brisk, and it is both academic and readable.

"Dream of Prosperity in Twenty Years", also known as "Dream of Prosperity in Eastern Guangdong", is a famous condemnation novel in the late Qing Dynasty. The work is based on the 20 years that Guangdong Customs Secretary Zhou Yongyou spent from his rise to prosperity to his defeat. It is a work that depicts real people and real events. This book is worth reading for readers interested in such topics. The work revolves around the narration of the protagonist's twenty-year prosperity finally becoming a dream, and unfolds the description of the vast social life in the late Qing Dynasty, from the imperial court to the people, thereby sharply criticizing the reality, and exposing to the readers the corruption and corruption of the entire officialdom, which was dominated by corruption and perversion of law, selling out officials, looking for flowers, and bringing prostitutes and concubines as the entire life content, allowing readers to see the incorrigibility of the Qing Dynasty. In terms of artistic description, the novel is not like other denunciation novels that pick up official quotes and link them together. Instead, it captures the whole process of Zhou Yongyou's prosperity and decline in his 20 years, and narrates how he made his fortune, how he was extravagant, how he sought high officials, how he was expropriated and exiled in a foreign country. This makes the work a biographical novel, adding a villain image to the numerous character galleries in late Qing novels.

"Enrollment Notes" is a collection of retrospective essays written by Mr. Huang Shizhong, a "Yangtze River Scholar" of the Ministry of Education and a professor at Sun Yat-sen University. It is divided into six series, namely "The Road to Learning", "Years of Teaching", "Memoirs of Teachers and Friends", "Japanese Books and Shadows", "Study" "Preface to People's Letters" and "My University", the word "entering into study" runs through the whole book, connecting personal growth experience in the countryside, study experience after entering university, book visiting experience after going abroad, and interactions with teachers, friends and students. The writing is vivid and highly readable. This book is also a book of academic enlightenment. In the process of academic exploration, the author summarizes the academic methods and effective reading experiences of his predecessors, which can provide various inspirations to readers. What this book provides readers is "a touchable academic realm, an academic spirit that can be understood, and an academic life that can be imitated."

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

Around the May Fourth Movement, it was a period of alternation between Chinese autocracy and republic, democracy and dictatorship, science and superstition, vernacular and classical Chinese, new poets and old talents, new ideas and old morals, arranged marriages and free love. This book focuses on the contradictions and conflicts between the new intellectual groups in this period and the interweaving of "new poets and old talents", "new ideas and old morality", and "rationality and emotion" in the process of breaking away from traditional marriages. For the convenience of narrative and writing, this book selects five modern poets, including Hu Shizhi, Guo Moruo, Xu Zhimo, Yu Dafu, and Dai Wangshu, to conduct textual research and analysis on their female emotional states of mind.

"The Romance of Hong Xiuquan", written by Huang Shizhong (Qing Dynasty), also known as "The Romance of the Taiping Heavenly Kingdom" and "The Complete Works of the Heroes of Hong Yang". This book is an important work in the history of modern Chinese novels. It is the first full-length novel to enthusiastically praise the revolutionary history of the Taiping Heavenly Kingdom after the historical work "History of the Taiping Heavenly Kingdom". It narrates the historical events of the Taiping Heavenly Kingdom, starting with Hong Xiuquan's uprising and ending with Zeng Guofan's deployment of victorious troops and the siege of Jinling City. Many of the characters written are inconsistent with historical facts, but they sympathize with and praise the Taiping Rebellion, and better portray the images of Hong Xiuquan, Li Xiucheng, Lin Fengxiang and other characters.

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.