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Since the 1980s, Chinese contemporary poetry, while maintaining the same direction as China's modernization drive, has encountered the risk of modernity - the cultural crisis of nihilism. In the process of revealing and confronting nihilism, contemporary Chinese poetry has created a number of outstanding poets and texts. "Nihility and Blossom - The Reconstruction of Modernity in Chinese Contemporary Poetry" takes the study of the generation path of contemporary poetry and the characteristics of the times in the process of China's modernization as the main line, combs the development and transformation of poetic aesthetics since Misty Poetry, and systematically reveals the cultural crisis characteristics of nihilism in contemporary Chinese poetry, as well as the aesthetic presentation in poetry writing and texts. The author pays full attention to the connection between historical context and the transformation of poetry. He interprets and interprets texts and theories from multiple perspectives such as social, economic, and cultural development, revealing the manifestations, historical roots, contemporary soil, and immeasurable harm of nihilism. He also proposes the aesthetic spirit of contemporary Chinese poetry to resist and transcend nihilism. "Nothingness and Flowering - Reconstructing the Modernity of Contemporary Chinese Poetry" is based on a lofty vision, has a broad vision, and is full of talent in text analysis and theoretical explanation. It shows a clear and strong awareness of problems and a constructive height for the future.

The four papers included in this collection were written between 2014 and 2016, and have all been published publicly. His research scope mainly focuses on the modernity issues of Chinese new poetry in the past 30 years, as well as the aesthetic characteristics of Chinese poetry in modern writing. This book is divided into four parts: Nothingness and "Blooming" - a modern perspective of contemporary Chinese poetry (outline); From "revolutionary literature" to "aesthetic ideology" - the paradigm shift of Zhang Zhimin's poetics and the aesthetic significance of the era of value generation; Lost: Causes and Consequences - the problem awareness of "the rise of new aesthetic principles" and the critique of aesthetic modernity; the construction of "Gaia" aesthetic and eco-critical poetics, a postscript to the fifth anniversary review collection of "7+2 Mountaineering Diary".

The novel "Everest Conch" is based on the protagonist Yingfu's three-day experience before and after his climb to Mount Everest as the basic framework. By telling the story of the protagonist's experience before climbing Mount Everest, and his struggle with his current life and death predicament, it constructs a wonderful work that contains many elements such as extreme peak exploration, business ups and downs, and emotional entanglements. When the large-scale real estate "Dream East" is about to be completed, the protagonist Yingfu is caught in a huge business conspiracy, and many forces are trying to "hunt" his wealth and projects. At the same time, while climbing Mount Everest, he also encountered a cruel test of nature. Although he had climbed Mount Everest several times, this time, he might not be able to get down. What Yingfu experienced was a journey as dangerous as climbing Mount Everest. Business wars and mountain disasters, life and death all happen in an instant. At the highest altitude in the world, Yingfu faced many dangers in the world, and he gradually saw his destiny and life clearly.