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The topic of the relationship between literature and art and politics vividly presents the transformation of Marxist literary and artistic thought in the process of sinicization and the multi-dimensional scene of alienation and convergence with the themes of the times, and deeply affects and regulates the creative practice and theoretical research of socialist literature and art. When interpreting the relationship between the two, domestic literary and artistic circles have made either-or conclusions. The reason, of course, has its profound social and historical background. However, today, when literary and artistic research has entered a more normal living environment and literary and artistic practice requires theory to answer the issues of the times, reflection on this theoretical proposition is still ignored, suspended, or even becomes a new academic forbidden area. This is actually closely related to our ignorance of political concepts and dualistic oppositional cognitive paradigms in our understanding of the relationship between literature and art and politics. Reflection and criticism on this phenomenon constitute the research background and structural content of this book.