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This book is a collection of modern literature edited by the Chinese New Literature Research Center of Nanjing University, a key research base for humanities and social sciences of the Ministry of Education. It carries out an eclectic discussion on some major issues and hot issues in modern and contemporary Chinese literature. The research scope covers May Fourth literature, comparative literature, drama studies and cultural studies.

This book contains 17 papers. Topics cover the latest achievements in modern and contemporary Chinese literature research. Among them, Yang Siping's article discusses the translation, dissemination and acceptance of modern and contemporary Chinese literature overseas, and Ni Tingting's article interprets the works of the Chinese-American writer Han Xiu. Zhang Jingsheng's construction of sexual discourse, Huang Zhenxia's poetic drama "Yellow Man's Blood", and civilized dramas represented by the laughter stage. The transformation of "Southern Poet" Tian Han in the 1930s is very innovative and provides a perspective for re-understanding these artistic images. Ruan Nanyan's paper attempts to use contemporary Western theory to explain the creation of dramas with revolutionary historical themes during the "Seventeen Years" period, while Peng Hong's explanation of the creative direction of China's "Conan Doyle" Cheng Xiaoqing's detective novels after entering New China is an example, using specific writers and text analysis to discuss the impact of political ideology on the creation of writers.

This book is a collection of modern literature edited by the Chinese New Literature Research Center of Nanjing University, a key research base for humanities and social sciences of the Ministry of Education. It carries out an eclectic discussion on some major issues and hot issues in modern and contemporary Chinese literature, and selects a number of relatively representative professional papers from literary history, drama studies, doctoral thesis selection and other topics.