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[The author likes to interact] The heroine travels from the present to the little beggar in ancient times.

Zhang Guizhi grew up in the countryside. Her adoptive parents were very kind to her, and she was taken home at the wedding ceremony. She knew about her life experience, and then, when she returned to the countryside, she knew that her ex-husband was not the best place to belong. At that time, she made up her mind to divorce him. No one expected that Jin Xin was the long-lost young master of the Yoo family, let alone...

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This book goes a step further on the basis of previous research. It chooses to approach people from the perspective of subversion, starting from the way of exploring differences, combining macro historical background examination with micro analysis of writers' works. From the perspective of postmodernism, using post-colonialism, new historicism and other theoretical guidance as theoretical guidance, it comparatively analyzes McCarthy's western works and traditional western novels, and studies Investigate how McCarthy criticizes tradition and how he constructs his own western story. What social and historical realities and problems does his subversion and reconstruction of the traditional model of western novels reflect? How does he reflect the transformation of western novels into the direction of convergence and integration with the mainstream of American literature in the postmodern social and cultural context? A series of other issues.

This book contains a total of seven opera scripts written by Hu Die. Among them, the Yue opera scripts "Jin Se" and "Xin Qiji" won the Excellence Award and Finalist Award of the 2nd Lao She Youth Drama Literature Award; the Peking opera "Thousands of Miles of Smoke" won the 6th Chinese Drama Literature Bronze Award.