Library

This book is a collection of cultural and ideological essays by female scholars. The articles mostly use characters to introduce academic theories, and the content involves the cultural personality characteristics of traditional Chinese intellectuals in the four traditional cultures of Moxia, Confucianism, Taoism, and Buddhism, as well as the fit between personality and literary style in the relationship between books and people. From this, we can explore the humanistic clues for the survival and inheritance of national thoughts in the cultural stream, and seek the path through culture. The book also includes pictures of representative figures to provide structural analysis and empirical evidence.

There is almost no word about it in all Tang poems, which is incredible in a cultural era of great landscapes. In the Yellow River poems written by Li Bai, who was known for his boldness and indulgence and would never let go of great things in his life, the mouth of the Hukou is also blank. The reason must be found from geology. On the contrary, Hejin Longmen, which is not far away - 65 kilometers downstream, is quite famous in Tang poetry, and must be mentioned when talking about the Yellow River. What's even more interesting is that it is also called the Dizhu Mountain, which is located further downstream - more than 200 kilometers away. The name of the Dizhu Mountain is connected with Sanmenxia, ​​which is famous in Chinese and foreign geography.

"Like What You See" is a collection of the author's literary reviews in recent years. It reviews new century female writers and their works, novel creation, important writers, photographers, painters and their works in recent years. In this book, free stylistic imagination makes He Xiangyang's literary criticism sometimes a perceptual re-creation process. He Xiangyang has a broad vision, active thinking, and rigorous scholarship. She can integrate delicate artistic feelings and profound rational thinking, so that her critical texts show rich humanistic implications. He Xiangyang's critical practice pays attention to the extensive possession of materials, combing and differentiation, tracing the source, achieving in-depth understanding of the object of criticism and rich expressions, and at the same time, he is full of passion and has a sincere and sincere spiritual character.

"Qingjin" collects He Xiangyang's early poetry works and is the author's first collection of poems. Most of these poems were written in the 1980s, during the golden age of Chinese poetry, and the author was still young. The poems written by him are pure and simple, with sincere and full emotions. Compared with the works of most domestic poets on the market, the text in this collection of poems is fresher and more positive, allowing people to experience the simplicity and power that people have missed for a long time.