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Xiao Yan looked at him lovingly with only one pair of eyes. Those big, beautiful eyes were a little distracted, and the bag in her hand fell to the ground. This cheongsam was sent to Xiao Yan a year ago. Instead of making it a black mourning dress, he used snow-white silk satin with black edges and embroidered Tang grass on the hem. Master Xiao just wanted to embrace this cheongsam that could transcend all time and space barriers. He opened his arms and felt a heat on his shoulders. She began to sob, and Master Xiao gently stroked her back with his right hand. The two of them just stood there hugging each other for a long time. He gently picked her up and went up to the attic where cheongsams were hung on all four walls.

In August of the fourth year of Chang'an (AD 704), Wu Zetian's illness worsened. At this time, a major question was placed in front of her: that is, who should be the successor to the Wuzhou Empire, the crown prince Li Xian or the nephew Wu Sansi? The heirs are fighting each other, and the ministers are in different camps, from the inner court to the outer court, from the central to the local areas, and even to the countryside... The weather is windy and rainy, and the dark clouds in the sky are like pressing into people's hearts. At this time, Long Canghai's mood was as gloomy as the rainy weather.

This book is a collection of short stories and short stories, including 7 short stories and short stories: "Toilet Beauty", "Blue Moon", "Tiger Sister", "Pig Roaring in the Midnight", "Swan" and "Stupid Goose", "The Last Old Carat" and "Xiao Yan". Taking Miaojing, a water town in the south of the Yangtze River, as the origin of the story, there is Xiaoqin, a "toilet Xi Shi" who fights against evil; there is Sister Tiger, who ran away from the countryside, struggled in the city, and returned home after being bruised; there is Xiao Yan, who is committed to culture to change his destiny; "Bird of Paradise", which focuses on education reform... Takes Jiangnan culture as a profound background, shows the changes in the urbanization process of rural areas in Jiangnan, depicts the lifestyle of the people in the water town and the fate of the characters, and is a pastoral song about the Wudi gradually drifting away.