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This book discusses the deep connection between Sontag and Chinese traditional culture in consciousness and thought. Sontag's works can be said to be "literary like the person", full of changes and sometimes contradictory; a similar change model of "both this and that" and "either black and white" also dominates the overall framework of Chinese classical literary theory. This book takes this as a starting point to examine Sontag's overall creation and aesthetic thoughts. It can be seen that "the difficulty of change" and "the change of difficulty" not only run throughout her creation, but also span all categories of her creation. Interpreting Sontag from the perspective of traditional Chinese culture will help readers deeply understand her creative concepts and thoughts.