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沙沙生长:中国当代民谣走唱录
Guo Xiaohan
Looking back at the development of contemporary Chinese folk songs, divided by age, it has gone through three stages: first, campus folk songs in the 1990s represented by Lao Lang, Pu Shu, Xiao Ke, etc.; Second, urban new folk songs represented by Wild Boy, Xiao He, Wan Xiaoli, Zhou Yunpeng, etc.; Third, new folk songs in the Internet era represented by Li Zhi, Ma Di, Chen Hongyu, Cheng Bi, etc. "Growth of Shasha" is not only the growth of folk music, but also the growth of listeners, readers and practitioners. This book attempts to record the development and changes of contemporary Chinese folk music in a panoramic manner. The development history and personal memories related to Chinese folk music have also become an aspect of our times. From this we see how these folk musicians exchange their elegance for history, and how the young people walking in a hurry reconnect with the land beneath their feet.
Looking back at the development of contemporary Chinese folk songs, divided by age, it has gone through three stages: first, campus folk songs in the 1990s represented by Lao Lang, Pu Shu, Xiao Ke, etc.; Second, urban new folk songs represented by Wild Boy, Xiao He, Wan Xiaoli, Zhou Yunpeng, etc.; Third, new folk songs in the Internet era represented by Li Zhi, Ma Di, Chen Hongyu, Cheng Bi, etc. "Growth of Shasha" is not only the growth of folk music, but also the growth of listeners, readers and practitioners. This book attempts to record the development and changes of contemporary Chinese folk music in a panoramic manner. The development history and personal memories related to Chinese folk music have also become an aspect of our times. From this we see how these folk musicians exchange their elegance for history, and how the young people walking in a hurry reconnect with the land beneath their feet.