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This book aims at the shortcomings of cultural research being greater than the study of literary ontology in current literary research, and proposes that literary research should adhere to the literary standard. First, we sort out the category of "literariness" in Chinese and Western literary theories, compare their similarities and differences, and explore the underlying reasons for the differences. By comparing Chinese and Western "literariness", the specific manifestations of Chinese and Western literariness are summarized, and the connotation of literariness is redefined. At the same time, through the practice of specific text analysis, it attempts to establish "literary (i. E. Poetic)" criticism, which has positive warning and guiding significance for current literature and art research.