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王蒙小说文体研究（增订本）
Guo Baoliang
The book was published by Peking University Press in 2006 and included in the "Literature and Cultural Studies Series" edited by Tong Qingbing. As an important contemporary Chinese writer, Wang Meng has made great achievements in stylistic innovation. From his early stream-of-consciousness attempts to his recent attempts at poetry, philosophy, and prose in his novels, they all reflect a creator's creative mentality of seeking innovation and change, as well as his free and open creative concept. Based on a thorough reading of all Wang Meng's novels, this book accurately captures the changes and invariants in Wang Meng's novel creation, and summarizes the stylistic characteristics of Wang Meng's novels. By exploring the language, narrative personality, stylistic context, and the writer's cultural mentality, the book touches the inherent cultural spirit of the novel text, explores the writer's narrative personality, cultural orientation, and understanding of life and reality, reveals the academic implications and social and cultural context of the novel, and strives to present the significance and limitations of the stylistic innovation of Wang Meng's novels. After the first edition of the book, it was well received by the academic community and has been published in traditional Chinese. In this reprint, the author has revised the previous statement and added the research results of tracking Wang Meng in the past fifteen years.
The book was published by Peking University Press in 2006 and included in the "Literature and Cultural Studies Series" edited by Tong Qingbing. As an important contemporary Chinese writer, Wang Meng has made great achievements in stylistic innovation. From his early stream-of-consciousness attempts to his recent attempts at poetry, philosophy, and prose in his novels, they all reflect a creator's creative mentality of seeking innovation and change, as well as his free and open creative concept. Based on a thorough reading of all Wang Meng's novels, this book accurately captures the changes and invariants in Wang Meng's novel creation, and summarizes the stylistic characteristics of Wang Meng's novels. By exploring the language, narrative personality, stylistic context, and the writer's cultural mentality, the book touches the inherent cultural spirit of the novel text, explores the writer's narrative personality, cultural orientation, and understanding of life and reality, reveals the academic implications and social and cultural context of the novel, and strives to present the significance and limitations of the stylistic innovation of Wang Meng's novels. After the first edition of the book, it was well received by the academic community and has been published in traditional Chinese. In this reprint, the author has revised the previous statement and added the research results of tracking Wang Meng in the past fifteen years.
新时期小说文体形态研究
Guo Baoliang
This book is an academic monograph that explores the stylistic form of novels in the new era from the perspective of stylistics. Based on extensive reading of novels in the new era, the author summarizes four major stylistic forms with important theoretical value - namely, the joke-carnival style, the symbolic-allegorical style, the poetic-prose style, and the new growth-autobiographical style - for study, and both diachronic stylistics Exploring the evolutionary rules, and also exploring various aspects of synchronic stylistics, thus basing the study of stylistics on a perceptual and living creation basis. Not only does it not have the problem of theoretically rigidly framing creation, but it also has certain methodological significance. This book has strong theoretical color, novel viewpoints, vivid writing, and sufficient evidence. It is a research work on novels in the new era with important academic innovation value.
This book is an academic monograph that explores the stylistic form of novels in the new era from the perspective of stylistics. Based on extensive reading of novels in the new era, the author summarizes four major stylistic forms with important theoretical value - namely, the joke-carnival style, the symbolic-allegorical style, the poetic-prose style, and the new growth-autobiographical style - for study, and both diachronic stylistics Exploring the evolutionary rules, and also exploring various aspects of synchronic stylistics, thus basing the study of stylistics on a perceptual and living creation basis. Not only does it not have the problem of theoretically rigidly framing creation, but it also has certain methodological significance. This book has strong theoretical color, novel viewpoints, vivid writing, and sufficient evidence. It is a research work on novels in the new era with important academic innovation value.