Library

When I was young, I always thought that Song poetry was full of soft beauties with graceful figures, expressing the resentment of a boudoir. The dewdrops on the petals of flowers in the morning could also lead to a lengthy rebuke and nostalgia for a thin lover; or the effeminate condolences of a literary male poet or the lingering love poems of a brothel. Only when you are older can you understand that whether it is the melancholy of the boudoir or the lingering love poems, which one is not a profound mark on the present. Only when you can freely understand your feelings and remember the joys and sorrows of every moment can your life become full. When it comes to Song Ci, Su Shi, Li Qingzhao, Lu You, Xin Qiji... The names of poets come to mind; when it comes to Song Ci, Shuidiao Ge Tou, Nian Nujiao, Man Jianghong... The names of popular Ci poets come into view. Following in the footsteps of Tang poetry, Song poetry has opened up new territories for development and brought a completely different reading experience to its admirers. The whole book is divided into ten volumes, which describe the parting sentiments in Song poetry from ten aspects: separation sorrow, lovesickness, history chanting, spring sorrow, optimism, leisurely travel, mourning for death, and human feelings.

Turning the world upside down just to straighten your reflection - Zhang Ailing's love is a practice - Lin Huiyin's spiritual nirvana in the emotional experience - Ding Ling's swan song in the opera garden - Meng Xiaodong's flowers blooming in silence, aloof from the world - Yang Jiang's extreme love and hate, lonely life - Xiao Hong's blooming flower - Lu Xiaoman's literary dream traveler - Lu Bicheng, I have heard their stories more or less on the road of life. Now that I see the whole picture, I realize that a woman's beauty can be so shocking. Beauty stands in the mirror and casts a reflection in time, but aren't we also in the spring boudoir dream?