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This book is a collection of academic articles by Professor Ge Xiaoyin of Peking University. It is also a review of her forty years of academic career. This book has a total of fifty chapters in five series. Professor Ge Xiaoyin uses the five series of "Xingtan Exploring Yi", "The Remains of Teachers and Friends", "Books and Periodicals", "New Works to Select Heroes" and "Tide Points" to reminisce about the details on the way to study, such as the memories of Lin Geng, Cheng Qianfan, Chen Yizhen and other teachers. It also provides some inspiration for future generations when recalling the understanding of the way to study at different stages of life. This book can be described as Professor Ge Xiaoyin's work of "picking up flowers in the morning and evening", with simple words and sincere feelings.

Du Fu was a great poet who stood at the pinnacle of poetry in the prosperous Tang Dynasty. He set a century-old example of concern for the country and the people for China's humanistic spirit, and a profound and profound example for China's poetry art. Du Fu's poems are called "poetic history" because he truly recorded the historical process of the Tang Dynasty from prosperity to decline. Du Fu is revered as the "Sage of Poetry" because of his mastery in the art of poetry and the creation of a fine tradition of poetry creation for later generations. The author traces the life journey of the great poet Du Fu. The whole book is divided into seven chapters: wandering as a young man, traveling to Beijing, rushing to travel, traveling to Long and Sichuan, settling in a thatched cottage, staying in Kuizhou, and wandering in Jingxiang. It analyzes Du Fu's poems in detail.

This book considers the trend of Shangqi that emerged in the poetry world from Tianbao to Yuanhe in the Tang Dynasty as an important phenomenon in the development of Tang poetry. On the premise of revealing the inner connection between the ancient Confucian ways adhered to by the authors of strange poems and their creative ideas, it focuses on finding the deep artistic elements hidden behind expression elements such as style, imagery, and rhetoric, especially the consistency and uniqueness of each school's ideas for seeking novelty, and its impact on the way of association, artistic vision, creativity, and even posture and tone. It is intended to understand the psychological feelings and thinking logic of this school of poets embedded in the surreal imagination, as well as the vitality and tragic beauty revealed in their bitter chants.

The main content of "General Lecture Series of Famous Scholars: Fifteen Lectures on Tang Poetry and Song Ci (2nd Edition)" is that Tang poetry and Song Ci are outstanding representatives of Chinese classical poetry, marking the heyday of the two poetic styles of poetry and poetry. "Famous General Lecture Series: Fifteen Lectures on Tang Poetry and Song Ci (2nd Edition)" takes the magnificent Tang poetry and Song Ci in China's three-thousand-year poetry history as representatives. Through the description of its own development and evolution, the analysis of the evolution of its poetry trends, and the analysis of the works of outstanding poets and poets such as Li Bai, Du Fu, Su Shi, and Li Qingzhao, it comprehensively displays the style and evolution of Tang poetry and Song Ci. This revised edition has corrected the errors in the first edition and added new research results in recent years. In particular, the interpretation of the poetic text is more detailed and in-depth, making it more attractive to read.

The Pre-Qin, Han, Wei, Jin, Southern and Northern Dynasties were the periods when various styles of Chinese classical poetry originated and matured. This book deeply and systematically explores the principles of the emergence and development of various poetic styles from the Book of Songs and Songs of Chu to five-character, seven-character, and miscellaneous words, as well as the relationship between various poetic styles, as well as the relationship between the formation of styles and the artistic expression feelings and creative traditions of various poetic types from various perspectives such as language, rhythm, structure, and expression methods. It can be said that this book is a development history of the generation and evolution of poetry styles in pre-Tang Dynasty with a novel perspective.