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"A Moment Like a Dream" collects 7 short stories by Ge Shuijing. These novels mostly feature ordinary or even insignificant characters. These insignificant characters are manipulated by life at will and cannot control their own lives. In order to live, they endured too much helplessness. They struggled and gasped in the whirlpool of fate. While moving forward with difficulty, they faced this indifferent world with souls full of helplessness. They silently throw their hearts and cruel reality in front of readers, and then, with a sigh, continue their lives. "A Moment Like a Dream" is published by 21st Century Publishing House and Top 100 Publishing Houses in China.

This book collects a total of three novels, namely "Shouting to the Mountain", "Flipping the Whip", and "Earthly Qi". The mute tried her best to remember her loss of speech while shouting, but no one understood it clearly. Her sadness reaches her heart. Her shouts tore through the dark night sky. The moon walked, bumped, and fell into the clouds in confusion. Her shouts climbed up the ridge of the Taihang Grand Canyon, making the vegetation on the mountain stand on end. This is a wonderful excerpt from "Shouting the Mountain" written by Ge Shuixing. "Shouting the Mountain" follows the mute's wild shouting, shouting out the grief and anger in my heart, for the mute, for human dignity, and for the passion of immortal life.

"Whispers Behind the Scenes" is one of the "Self-Talking and Self-Drawing Series". This is a set of original prose essays about the writer's growth story and life insights, accompanied by paintings created by the writer himself. It pursues readability, interest and artistry, and the content is positive, full of positive energy and inspirational spirit. "Whispers Behind the Scenes" mainly describes the writer Ge Shuijing's experience of learning opera when he was young and the kindness of the simple folk customs in the village.

"The Streets in the Bustling Deep" is one of the "Nostalgia Collection" edited by Wang Jianbing. It is a collection of Ge Shuijing's essays about the villagers and the land of the Three Jin Dynasties. It contains 30 essays and 1 postscript. The author's language is poetic, and his narrative descriptions focus on the creation of imagery and environment. Coupled with his calm mind, there is a sense of intimacy that comes from the narration. The profound culture of the Sanjin area has nourished the author. From simple objects such as stone carvings, iron products, beds, windows, etc., He can see the imprint of culture, which has depth and breadth.

In 2003, Shanxi writer Ge Shuihui wrote her famous novel "Whiplash", which became an instant success when it was published. Then he got out of hand and created a series of short and medium-sized novels such as "Shouting Mountain". This book is a collection of short stories and short stories by Ge Shuijing, which includes two representative works: "Flipping the Whip" and "Shouting the Mountain". Ge Shuiping's soul has been walking in the mountain god valley of his hometown. Her creations are more inspired by her memories of the countryside. "Ordinary life of ordinary people" has become the object of Ge Shuijing's aesthetic observation. This is true both in the mute's shouting for the mountain ("Shouting the Mountain") and the iron boy's whip-throwing ("Whiplash"). The novel describes the original ecological life of the people in southeastern Shanxi in a meticulous and tender style, and truly reproduces the struggle and daily life of farmers in the Taihang Mountains, where politics, customs, and human nature are intertwined. The author strives for "good looks", is good at telling stories, has a strong plot, and the language is very characteristic of southeastern Shanxi. At the same time, the words and sentences are feminine and gentle, classical and beautiful. The author is good at capturing the reality and simplicity of folk land and secular life, with the hard texture and pain like earthly stones, the elegance and poetry of folk customs, and the transcendent softness and warmth like water.

"All My Thoughts Are Because of the Night" Buhuhu short story series is edited by Mr. Meng Fanhua, a famous contemporary literary critic, with the purpose of promoting current sophisticated writing and reading. This idea originated from worries about the current literary situation: driven by market forces, consumer writing has occupied the mainstream of literary creation. This literary environment shaped by invisible hands not only stimulates writers' enthusiasm for market appeals, but also subtly cultivates readers' rough literary tastes. In this wave of consumer writing, short stories have obviously become outcasts in the market due to their own characteristics. But in terms of literary writing, the exquisiteness of short stories can better reflect certain characteristics of literary writing, and both writers and publishing units should persist in the pursuit of exquisite literary works. This series of books is planned and selected with this purpose in mind. The selected writers and works can be said to represent the first-class level of the group of writers who are currently working on short story creation.

Contemporary female writer Ge Shuiping's prose has a broad realm, full of emotion and lightness, exuding unique charm. Her words wander and linger in time and life, like a desolate song of man and nature lingering in the ears. Every person, thing, plant, tree, mountain and water in her hometown are all full of the kindness in memory and the sentimentality in memory... The writer once claimed to be a "child abandoned by the city". The background of her words is exactly the look back on the countryside, with a soft temperament and tough texture. Her prose is like a nightingale flying over the countryside, constantly singing for nostalgia. This book is one of the series "Novelist's Prose".

This book includes a series of famous works by the author, such as "Shouting Mountain", "World", "Black Snowball", "Black Mouth", "Black Veins", "Sorrow", "Watch", etc. The author himself has a close connection with the women he writes about, and seems to be infected by this power of struggle and perseverance. He understands their misery and unwillingness, comforts their trauma, and relentlessly writes their stories.

"The Returner Series" is a set of books with unique creativity, rich content, and exquisite printing; writers unreservedly present to us one of their most emotional songs of art; literary self-narratives, life images, and influential short and medium-sized novels are integrated together; the whisper of returning to readers, relatives, and society, and the gift of literature is enough to inspire and infect anyone who has a perception of life and words. "Through Time" is one of the volumes. "Walking Through Time" takes the author Ge Shuihui's life, emotions and literary insights, integrates his personal images from childhood to adulthood, and pictures related to literary creation, plus the author's excellent short and medium-sized stories, forming a "business card" book with characteristics of the author, which has become a good teacher and helpful friend for the majority of literary youths.

"The River Takes Both Sides Away" is divided into four volumes. The main content includes: Qinhe gave me the sound of nature, water lives outside the water, there is something special in the ordinary, the temple ridge higher than the earth, the streets in the bustling depths, the wind blows the crafts into heaven, etc.

"I Walk, I Am" is a collection of essays by Ge Shuijing. Life doesn't matter whether it's old or new, it's just a kind of flow and a kind of scenery. When you see it, you must exhaust these feelings and reveal the vital things in it that penetrate into today and even the future era. "I Walk, I Am" is associated with the disappearance of rivers and villages and the loss of folk customs, folk customs and ancient crafts and utensils. While feeling the history of Qinhe River and comprehending the culture of Qinhe River Basin, it records the civilization of Qinhe River full of regional characteristics in the mutual stimulation of geography and humanities, and deeply thinks about social issues such as ecological environment, regional culture, folk customs and etiquette.

This book is a collection of short stories by Ge Shuijing. This book contains the author's latest works or representative works, mostly with rural themes, inheriting the "yam egg school" writing style, full of rich local customs, and reflecting the poetic beauty of rural pastoral.

The author goes deep into real life and grasps the pulse of the times. Based on the experience of scientists at the Chengdu Institute of Mountain Hazards and Environment of the Chinese Academy of Sciences in managing mudslides, the author tells the unforgettable story of the scientists' life-and-death struggle with mudslides for decades. With their firm belief and fearless spirit, they have overcome difficulties one after another in the study and management of debris flow, and have devoted their lives to the prevention and control of debris flow disasters and post-disaster reconstruction.

Ge Shuijing's work can be summarized by the title of one of her novels, that is, her work is about "floating life". What is floating life? It is the bumps and bumps between people; it is the days and months that may be difficult or rich, or fulfilling or boring; it is a hope, a pursuit or a trace of fantasy in the heart in the ordinary years day after day; it is the state of existence on the material and spiritual levels. Ge Shuishi's novels almost all start from the smallest details of daily life. The novel highlights the value of beautiful human nature in the different states of human nature between the secular world and nature, and in the incompatibility between human nature and the secular world and interests. In this way, Ge Shuishi's novels dig out the implications of culture and human nature from the subtleties of life.

This book is a collection of short stories and short stories by Ge Shuijing, which includes ten works she created during her blowout period. Ge Shuijing grew up in a cave dwelling in the mountains of Shanxi. Most of the stories in her novels take place in a small mountain village - Shanshenwa. Just like being halfway up the river to Zhao Shuli, to Ge Shuili, the Mountain God Ao was her "only lover who swore an oath with her lips raised", giving her a steady stream of nourishment. Ge Shuijing writes about all the dirt, ugliness, darkness, struggles, intrigues, and wisdom that have occurred in the land of Shanshenwo. The writing is crisp and calm, as if behind the words stands a man with rich experience but only uses a few words and a sigh to dismiss the world's suspicion. It is the land where he once lived that gave Ge Shuijing its grandeur, majesty and weight. Her works, with their poetic language, vivid details, compassion for folk life and call for freedom, have been well received and won many awards such as the "Lu Xun Literature Award".

The horse-hitch posts in front of the Yang family's old house are still there, but the horses are gone. Every time the Yang brothers passed by, especially at night, looking at the old house under the clean moonlight, it seemed as illusory as a paper-made spiritual house. Did the prosperity of their ancestors once live there? In the 1970s, the Yang family's population began to decline. Yang Bingyao and Yang Bingxi, the descendants of Yang Changqing, the eldest son of Yang Dehai, an authentic descendant of the Yang family, also each married a wife and started a family. The Yang family's compound is still there, but it has long since changed its owner, and the people who live there are no longer descendants of the Yang family. There are people named Jin, Chang, and Li, who live in chaos in a large courtyard. The two brothers lived in five adobe houses by the river, two and a half rooms each, and lived in isolation. There have not been many people leaving Shangtuwo in recent years, the policy has not been relaxed yet, and life has been stable.

Shimileling, which has been inhabited for hundreds of years, cannot be inhabited anymore. The reason why it cannot be inhabited is not that it lacks the atmosphere for people to live here. During the day, the mountains are gloomy and gloomy. At night, in the dark village, there are two families facing each other, which is so monotonous that I feel nervous. Whose family has moved from the ridge of the front mountain to the group down the mountain. There are only two households on our ridge, and the ones with no water or electricity are still holding on. The people at the bottom of the mountain are laughing at us. We are not incompetent people, so we should move. There used to be more than a dozen families on the ridge, but later they all moved away, leaving only two families, one from Laiyu and the other from Deku. Finally one day, Yu and Deku had a quarrel. The two families stopped visiting each other, and even the children stopped talking. The two families on the mountain don't often talk together. The mountain is getting darker and darker, so dark that it makes people feel depressed.

The Taihang Grand Canyon started to lose weight when we got here, so thin that only a thin beam was left. From a distance, the naked blue stones were hanging up and down the wall, surrounded by a few clouds, like a mule that had drained its strength. It was so thin that its ribs were hanging out one by one, and several families were hanging on it. The families on this beam usually don't have to shout when talking to the people above. Shouting is faster than walking. One shouted from the other side and the other answered from this side. The sound was carried far away through a deep ditch that was tens of meters straight up and down.

Pedestrians were rushing on the street, and against the afternoon sun, I suddenly felt lonely. Wherever I looked - the County People's Auditorium, I saw him. He tore up all the tickets for the afternoon show with his hands. I'm sure this isn't for dramatic effect, because, this is my first love. I stood in the place where I raised my head just to look at him, thinking that I should find a chance to talk to him. This kind of opportunity made me wait for a year in this time and space boundary. The whole meaning of my standing here has become more and more helpless due to the reminder of time. In fact, it was me who was in unrequited love.

Rongrong, a girl with a disability and no way to find a job, received unexpected results because she took the liberty to write a letter to the secretary of the district party committee. However, behind this lies the right and wrong in the officialdom and the bizarre world. Why should women gain a foothold in society? It happened suddenly. On the street, my brother exchanged a few words with the person he was dating, then took out a sharp fruit knife and inserted it into the person's abdomen silently. The person who was stabbed went to the hospital, and his brother was ruthlessly taken away by the roaring police car. That night, Rongrong's house was in chaos. Rongrong thought, to be fair, fighting for the right to love in one's youth is a very "personal" thing, but no matter what, one should not stab others with a knife. It is others who are hurt, but it is one's own relatives who are sad.

Ge Shuijing is a multi-faceted woman. She can make clothes, embroider, wear her own improved Chinese clothes, and wear her own embroidered shoes. She looks quiet on the outside, but is very wild in her heart. She likes fishing, hunting and other very masculine entertainment. As the saying goes, talented women are often not beautiful, and beautiful women are often just superficial. However, the female writer Ge Shuijing has completely overturned this long-standing saying; some literary critics say that she is the most feminine and talented woman in the Chinese literary world today; she is hailed by critics as "a dark horse", "the most eye-catching writer in the Chinese literary world", and "an important harvest of the Chinese literary world". The narrative she writes is skillful, full of emotions, full of rural pastoral poetry and unique philosophy.

Ge Shuishi's works bring readers into a long-lost but eternal state of existence. "Walking" in the depths of Yellow River culture and history is not only immersive, but also "heart-to-heart", and the writing is grand and full of poetry. The author searches for villages, mountains, rivers, and crop fields, and there are countless manners. The wind and dust are all feelings, and everything is full of love. The author is humble in her treatment of nature, and rational and clear in her treatment of her own situation and life. She relies on reading and cognition to record the traces of her life, and her writing tells the ideal way of living.

"I Watch the Lantern" is a collection of short stories and short stories by Ge Shuijing, which includes eight works she has created in recent years. Ge Shuiping's soul has been walking in her hometown, Shanshenao. She is good at telling stories, and her language has strong local characteristics of southeastern Shanxi. She captures the truth and simplicity of folk land and worldly life with her meticulous and tender writing style. "Ordinary life of ordinary people" has become the object of Ge Shuijing's aesthetic observation. Her novels have the elegance and poetry of folk customs, as well as the texture and pain as hard as stone. "I Watch the Lantern" contains very down-to-earth articles. She does not treat the characters in simplistic or moralistic ways, and strives to write about the complexity and multi-faceted characters. Instead of being condescending, she took a level-headed stance and regarded herself as one of them living among them. Relevant to the author's experience as an opera screenwriter, the novel is full of legend, with strong plots and conflicts, and pays more attention to the suspense setting and unexpected ending among the ups and downs. The language of the novel is sometimes simple and smooth, sometimes brilliant, and has the charm of opera and traditional story-telling novels.

"The Naked Land" is the first novel by female writer Ge Shuiping. It tells the history of immigration in Baodian Town, Shanxi Province and the rise and fall of the Gai family during the turbulent historical period from the late Qing Dynasty to the early Republic of China to the "Land Reform". The work shows the vicissitudes of the Taihang Mountains in the decades before liberation through the rise and fall of a family and the fate of a woman. The novel focuses on the difficulties of human existence, farmers and the land, and delicately displays the painful process of people suffering in the cocoon of life and the blooming beauty of human nature, expressing the understanding of the connotation of life from one side. At the same time, human nature is portrayed and explored at multiple levels and angles. "Naked Land" spans a large time span, telling the history of immigration in Baodian Town, Shanxi Province and the rise and fall of the Gai family during this turbulent historical period from the late Qing Dynasty to the early Republic of China to the land reform. Nie Guangqing, a Shandong native, had his family broken up and fled to Shanxi due to a natural disaster. He picked up a wife and daughter along the way and settled in Hewa Valley. Gai Yunchang, a wealthy man from Baodian Town, married four wives and only got a stupid son. No one inherited his family fortune, and his family life could not be continued. His lifelong wish was for a woman to give him a son with a hammer. He fell in love with Nvnu and signed a wife-pawning contract with Nie Guangqing, and Nie Guangqing took her son to be a needle mother at Gai's house. The encounter between Gai Yunchang and the woman led to a marriage. He saw the gestation of life and the meaning of work. However, the land gave people nutrients, but people ravaged it in all kinds of ways: in the end, the land could only be exposed and the days passed.

On the twelfth lunar month day, the mountains were covered with brown and yellow dry wormwood. The snow that had fallen a few days ago was stuck on the mountain trail, making the sound of bones breaking when stepped on. As the New Year is approaching, some people order tofu in the evening, carry a wooden bucket, and use a horse spoon to ladle the slurry water into the steaming iron pot. There was a sound of pigs squealing in the open space in the distance, and people who wanted to see some tofu flocked to that open space. The pig was hung under a pear tree that stretched upward like a dragon's claws, and its disembowelment was opened. A group of children gathered around to play with pig urine. When the little girl named Chou Chou saw a lame man walking down the road carrying a yellow canvas satchel, he shouted: "Dad, grandpa wants you to cut the meat."

An accident occurred in the closed mountains. Lahong mistakenly stepped on the explosives set by Han Chong for hunting and died, leaving behind a mute wife and a pair of children. Everyone discussed with Han's father and decided to let Han Chong pay the money and go private. But the mute did not agree to give money, and even wore red clothes and cried and laughed. Everyone thought she was crazy because of the stimulation, and Han Chong could only temporarily take care of the lives of the mother and son. As they get along, the two get closer and closer, and the mystery of the mute's twists and turns of life is gradually revealed. When the two were about to start a new life, La Hong's murder case became more disturbing. At this critical juncture, only the mute could tell the truth... The collection also includes the author's acclaimed works such as "The Scene" and "Little Burden", and comes with the author's signed paintings and movie posters.

Ge Shuiping: Born in Qinshui County, Shanxi Province in 1966, he is a screenwriter at Changzhi Drama Research Institute and vice chairman of Changzhi Writers Association. In the first issue of this magazine this year, her novella "Whiplash" and "Earth" were published, which were selected by many publications such as "Beijing Literature·Novelette Monthly", "Novel Monthly", "Selected Novels", "Selected Novellas" and so on. On the sixth day of June in the twenty-sixth year of the reign of Emperor Guangxu of the Qing Dynasty, in Douzhuang on the west bank of the Qinhe River, Shangguan Fang, the youngest daughter of the Shangguan family, and Wang Anxu, the only son of the Wang Shutian family of Xiali Village on the east bank, were engaged. The matchmaker gave Shangguanfang's birth date. Wang Shutian, 57, took a piece of red paper from under the incense burner in the central hall and wrapped it carefully. He went to the upper room to greet his 70-year-old mother and asked for his son's birth date. He also wrapped it in red paper and placed it in two blue and white porcelain bowls.