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A girl like Xiaorao may be the one we pass by on the street. Underneath the pure and beautiful appearance, there is a heart filled with ravines. The huge squeeze and bullying in the material age have made Xiaorao people experience hardships, but at the same time they are at ease. This is the age of little guys. Some solid things collapsed, but amazing flowers bloomed on the ruins. In the spring of their lives, they let their horses rein and squandered their beautiful years in the darkness of the city, singing and dancing every night. Perhaps, this is not the fault of Xiaorao. At least, not entirely.

In "Secret", what we see is the "secret" of young migrant worker Liangzi peeking at urban women, and his violent fate. In the novel, we can see that there is an insurmountable distance between migrant workers and urban women, and they can only establish contact through "peeping". They are two different worlds.

Professor Su, Dai Fen, and Xiao Diao. Professor Su and Dai Fen are an old couple. They are the protagonists of this family. Xiao Diao also lives in this family as a nanny. Three people gather together in a family, Professor Su has his own ideas, Dafen and Xiao Diao are competing, and the fun begins...

Zhang Xiangbei, a scholar from the countryside, accidentally married Su Shuhui, the daughter of deputy mayor Su Jian, and has been on a meteoric rise ever since. In his opinion, his wife's "elegance, dignity, and grace" are only "suitable for a stately living room" and lack the "beautiful emotion in the boudoir curtains" that he wants. Su Jian's wife, the "mayor's wife who is loved by thousands of people", takes advantage of the fact that she goes to the Yuanyue Temple in the suburbs every month to burn incense and go on dates with her lover. What she longs for is passion, a "crazy, stunning, colorful chapter of life." The author goes deep into the "dark core" of individual families, exploring the seemingly glamorous marriage of two generations of deputy mayor Su Jian and his daughter, and directly attacks human nature full of hidden diseases.

The fourth boy who killed the pig, Uncle Huai who fed the livestock, the childhood days filled with the aroma of the livestock house, those ambiguous but warm nights, those sweet and bitter games, like a painting, bright tones, trance shadows, the drowned blind man, the old Uncle Huai, the disappearing pig pen and livestock house, Fangcun slowly changing every day...

With dissatisfaction with reality but a helpless and almost desperate mood, Yu Chun took a train at night on a journey without a destination. He saw a man in the same carriage and recalled the past; everything about this man made Yu Chun feel familiar. The memories of the past contained the sweet love affair with Yin Jianchu in college; and in the sober reality, there were all kinds of life with her husband Zhou Zhou; and in the thick night in front of her, the train moved forward endlessly. This is Fu Xiuying's "Night Makeup": delicate but not cumbersome, every sentence touches people's spiritual world.

The editor-in-chief of the journal Lao Fei has a perfect family, which is first of all due to the fact that he has a perfect wife Liu Yimin. What he never expected was that when he came back from a meeting and opened the door of his house, he found that his wife Hongxing had cheated on her. They are divorced...

A couple works in the city. Although the novel also writes about the difficulty of their life in the city, it revolves around three meals a day, various lifestyles of the couple, and is surrounded by mixed smoke, humidity and popularity. But these are just the background. The focus of the novel is to write about the wife's spiritual derailment. She saw successful men in the city, which caused a series of psychological changes, which were reflected in her dreams...

The psychological crisis of a middle-aged man with a successful career is vividly and accurately portrayed in the novel. He endured dangers and rose to the top position, achieved success and remained introspective and cautious, but fell into a double dilemma both physically and emotionally.

Mr. Hai, Qiao Susu and Mr. Hai's ex-wife. Mr. Hai is a successful university professor. Qiao Susu was once an English teacher in a middle school and is now Mr. Hai's current wife. Mr. Hai's ex-wife has passed away, but he still has a competitive relationship with Qiao Susu. Fu Xiuying chose a sensitive time - Qingming Festival. Mr. Hai's mourning and worship of the dead touched the hearts of the living, so the competitive relationship between the dead and the living reached a climax on this day. Fu Xiuying vividly wrote the psychological changes of Qiao Susu and Mr. Hai.

As soon as I fell to the ground as a girl, a seed was sown into my heart and buried silently. Until one day, Xiaomi couldn't sleep. "Erxia", who is the same age, already has breasts, a waist, and a butt; "Pang Tao"'s little sparrow is "pitiful", but she can see it clearly despite her thumping heartbeat; "Uncle Jianshe"'s grass-blade twitching game frightens and annoys her; "Sister-in-law"'s huge breasts are held by children and people look at them greedily, which makes her ashamed - finally it "comes", but Xiaomi is disappointed. Lonely, millet is blooming. At every step of their growth, the millets opened their eyes timidly, tentatively tested their feet, and took every step cautiously. For ignorant children, every step is full of dangers, and they stumble.

In cities, more and more women are called "leftover women". Behind the reactionary term "leftover women" is actually the largest group of outstanding women in history who have self-awareness, independent personality and lifestyle choices. They have careers and stories, pursuits and requirements, skills and interests, circles and friends, but they are not married. Among them, the vast majority do not reject marriage, they just reject imperfect choices.

Lan Ling, a single woman, took the postgraduate entrance examination from a small county town and moved to Beijing to work and live. With Lan Ling as the center, there are three triangles: Lan Ling, Zuo En and the man downstairs, Lan Ling, Zuo En and Zuo En's wife, Lan Ling, the man downstairs and the man's wife downstairs. Lan Ling is a vortex of three triangles. The entanglement between Lan Ling and Zuo En is real. Zuo En has been pursuing Lan Ling for many years, but there is no reality between Lan Ling and the man downstairs. It only exists in Lan Ling's dreams and subconscious...

It has been 20 years since writers born in the 1970s entered the literary world in the mid-to-late 1990s. In the past 20 years, they have grown from a "new force" in literature to a "backbone force" in the literary world. Nowadays, writers born in the 1970s have occupied half of the important literary publications, and some writers born in the 1970s have published important novels, which have attracted widespread attention in the literary world. But at the same time, the Chinese literary world in which they are involved has undergone earth-shaking changes, which has brought new challenges and new opportunities to their growth and "classification".

"Legend" writes about the "legend" between young men and women, and the thoughts of young men and women in the city.

During the war, he raped the young Cui Que. When Cui Que later came to work in his furniture factory, he actually tried to take advantage of the opportunity to force him to submit, but Cui Que stabbed him to death with scissors...

The novel mainly writes about three people. Grandpa, brother-in-law, and third aunt. My grandfather was almost like an outsider. He spent his whole life doing nothing and gave birth to six daughters. My uncle was good at cooking, but later he gradually fell behind the times and became a small laborer. The third aunt was dissatisfied with the life in the country. She ran away from home without saying goodbye at the age of sixteen. She went through many hardships in the city. Ten years later, she returned to her hometown. After a short stay, she left her hometown and drifted again, without knowing where she ended up.

The old man's daughter went to college and went to work in the city, and his son and daughter-in-law also wanted to work in the city. The home left behind by the young people was filled with the sorrow of the old man's old age.

The manuscript selects nearly 40 essays written by Fu Xiuying in recent years, divided into four series, namely Dreams, Ambition, Novelists, and Novelists. The writing is sincere, delicate, and touching, and talks eloquently about the growth experience, writing process, creative motivation, etc.

This book collects thirteen famous novels by Fu Xiuying, focusing on the fate of women and exploring the dilemmas and gains of female characters with different identities, classes and personalities in urban life. The "them" in the story include ordinary and inconspicuous waiters in high-rise buildings, and urban white-collar workers in important positions; there are girls trapped in the mountains and fields; there are mothers who have lived in the fields all their lives, but voluntarily go to the city to share the family pressure with their daughters; there are "fighters" who pursue true love and are unwilling to give in, and there are housewives who can't help being dissatisfied with everything they have. Some of them are poor, some are comfortable, some are ambitious, and some are burdened by mundane things all day long... But is there a standard answer to the so-called "happy life"? These women, who seem to have different lives, but in the end seem to reach the same destination by different paths, may be able to give the answer.

This book is a masterpiece of novels by the powerful contemporary writer Fu Xiuying. It has won the Shi Naian Literary Award and was selected into the top five novels of the year by "Contemporary" and the "Harvest" literary ranking. Fangcun, how should I put it, is just the most ordinary small village on the North China Plain. In the village, there are men and women. There are also old people and children. There are also cocks crowing and dogs barking, and there are also right and wrong, grievances and grudges. Some of the crop fields are still planted, while others have stopped growing long ago. There are times when the moon is full and there are times when it is waning. ... As time passes, some things change.

Xiaotao, who was trying to get rid of Fangcun, had to return to Fangcun to work as a teacher after graduating from normal school. She saw that having lived in the city, she needed to maintain her glory. The principal who got Xiaotao introduced him to the cadres in the city. Xiaotao felt very happy after her marriage. However, there was always a sadness that couldn't be shaken around her. When Xiaotao was pregnant, her sister lived in her house and spent a long time alone with her husband in the kitchen and broke a plate. Xiaotao knew what happened, but she didn't make a fuss. From a girl to a woman, from the first dream to the trivialities of life, the "first smell" of Xiao Tao at this time must be the sadness of autumn in life.

"Mother" and "Fourth Aunt" had a contest around "Father". This contest was calm on the surface, but turbulent secretly. It was a kind of peace that was too heavy. As the sad winner, "Mother" spent all her life's energy. The culture of "father" and the demeanor of "fourth aunt" are very harmonious, and they are a very reliable mutual attraction. When "mother" is in "danger", there is no need to search for "opportunities". All you need to do is to tell yourself when the free love forces you: We are all bound women, why should women embarrass women? Both "mother" and "fourth aunt" are strong and tolerant. "Mother" continues to work hard to manage this love, while "fourth aunt" also guards her love from afar by escaping throughout her life.

Ya Dou'er is taken care of by her elderly grandfather, and her longing for her parents can only be pinned on a telephone line; she was sexually harassed by her uncle, and she heard people talk about her parents doing shameful things in the city, which cast a shadow on her young mind...

Facing the gray years of ten years, this man named Chen Pi harbored restless dreams and set up a possible adventure - leaving his old life, but like a fly, he flew in a small circle and finally returned to the starting point.

When he was young, Jun Sheng declined Bao Yin's marriage proposal. Now that Baoyin has become a wealthy man, the fate of Jun Sheng and his son is in his hands. Jun Sheng sacrificed his body for his son, but unexpectedly sacrificed his son again. The vast disparity between rich and poor is inducing human nature to mutate with money, keeping pace with material abundance. How to maintain spiritual simplicity has become a serious social issue.

This book is a collection of the latest works of Fu Xiuying, a representative writer born in the 1970s. The main titles include "The Flowers Are Full", "The Plantains Are Green", "The Order of No Clothes", etc. Fu Xiuying is good at writing short and medium-sized novels. Most of her works focus on the description and portrayal of ordinary people's lives. Her writing is clean and light, and her portrayal of the characters' inner feelings is delicate and vivid. She is an excellent representative of female writers born in the 1970s.

The 19 excellent works by 19 writers including Alai, Ye Guangcen, Li Zhibang, Jiang Feng, and Hong Fang either focus on the present or write about the past. They are rich in content, diverse narratives, wonderful stories, and vivid images. They show excellent quality and charm in reflecting the depth of life and the complexity of human nature, and presenting the world and people's hearts. This book is carefully compiled and selected by Chinese novelists from nearly a hundred literary publications across the country. It has a broad perspective and aims to present a panoramic view of the creation performance of novellas in 2015, and strives to select representative and influential works fairly and objectively.

The snowy moon is clear and the breeze is clear, and the boy Du Sai has red lips and white teeth, as bright as the bright moon, but Naxue is in the same room as Meng Shishii, a middle-aged man who is famous and well-connected, has gone through vicissitudes of life, and is comfortable in the world. When Na Xue finally left Meng Shishi and fell into Du Sai's arms, suddenly one day Du Sai left inexplicably without saying goodbye, and Huang He left forever. Na Xue went from a small village to the capital to study and finished graduate school. Her identity changed but she could not control her life. When I wake up from the dream of nostalgia, everything is the same as before...

More than 20 excellent works by more than 20 writers including Cao Wenxuan, Liu Qingbang, Zhang Chu and Qin Bazi focus on reality and life, with rich themes and diverse narratives. They show excellent quality and charm in reflecting the breadth and depth of life, showing the complexity and richness of human nature, and presenting the world and people's hearts. This book is carefully compiled and selected by Chinese novelists from nearly a hundred literary publications across the country. It has a broad perspective and aims to present a panoramic view of the short story creation performance in 2015, and strives to select representative and influential works fairly and objectively.

The young man Rufeng and the woman Ruhua have a secret love affair. Just as the young grandfather falls in love with the girl Hualuo who is his stepmother. The minds of boys and girls change thousands of times, but rural ethics are like a hanging sword, how can they bear the reputation of "incest"...

Daqing's wife may not really love Daqing, but when Pan Jinlian married Wu Da, for her, love was too luxurious. If there was a man who was slightly better than Wu Da, it would be enough to make her obsessed. Therefore, Daqing's wife had an experience of eloping with the wild pig farmer from the south of the village. Perhaps the elopement with Luan Peng changed her enthusiasm and courage for life, which led to her relationships with all kinds of people playing cards. She cried loudly when Daqing Niang died. She knew that she had withered long ago. She nourished herself with debauchery and degradation...

This is a young woman's strange emotion towards a stranger. Shui Qing has a loving husband and a stable job, and her life is peaceful and comfortable, but she is not at peace in her heart. She would often meet a strange man, a "tall, somewhat thin man, holding a newspaper and reading it while walking." This stranger was like a mystery. She began to fantasize and try to get close to this stranger... Shui Qing's interest in strangers can be said to be a kind of resistance to ordinary life and a pursuit of poetry.

My mother couldn't help her inner longing when her father was about to come home for the weekend, so the family was filled with a cheerful and tolerant atmosphere. My father later had an extramarital affair with his lonely neighbor's fourth aunt. My mother was very sad and he seemed very apologetic. But the author handles all this with resentment rather than anger. In that period of confinement, even if these were wrong, they might still be beautiful...

Xiao Deng is Wu Zhuang's wife, Er Zhuang is Wu Zhuang's brother. Er Zhuang had been a soldier and was a decent and handsome man. Xiao Deng had been interested in Er Zhuang, and Er Zhuang had also been interested in Xiao Deng. But Xiao Deng and her husband, the man is like a strong green crop, full of juice, with a kind of rustic wildness that cannot be hidden, and Xiao Deng is the unknown grass nearby, the same soil, under the same wind and rain in the sun, the roots have been twisted together, and the leaves are tightly dependent on each other. To be together and belong, to accept and enjoy each other.

Fu Xiuying, female, born in Wuji, Hebei Province in 1976, currently lives in Beijing. Graduated from Beijing Language and Culture University. Well-known writer. Representative works include "Love Spreads Everywhere" and "Old Courtyard". He has won many awards including the First Chinese Writers Publishing Award. Works in the editorial department of "Selected Novels".

This book contains more than ten novellas from different periods by Fu Xiuying, a female writer born in the 1970s: "Love Spreads Everywhere", "Beautiful Flowers and Full Moon", "Lamps", "Millet Blossoms", "The Splendid Era", "Old Courtyard", etc.