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This article adopts the second person and uses the technique of line drawing to "transfer the life and death of the countryside and the smell of earth onto the paper." It expresses the four-season complex of a village's seasonal cycle of spring plowing, summer plowing, autumn harvest, and winter storage. The author uses lines of clever or long words to draw the vast and rich memories of the village with green bricks and black tiles into silk threads, gently tying a gentle and beautiful knot to the village. A natural and original village appears on paper, neither deserted nor lively. This is a village where the sun shines and the rain and dew moisten it. It is a village with a texture like stone or cotton. It is a fragrant village lit by ears of rice or sunflowers. It is a village that is warm and simple, calm and peaceful.

Now a seven-year-old child and a seventy-year-old man, like two small trees and old trees with legs, move one after another on the country tractor road under the early morning sun, and the wind rustles their leaves. What makes Dongqing happy is that the old man did not ask him in a friendly manner like other nagging people, why he went out alone without his parents, or even forced him to go home without causing trouble. Dongqing had such an experience three months ago. At that time, he wanted to bite the hands of that troublesome village woman. Of course, the old man also asked some questions, such as what his name was and what he liked to do and eat. Holly happily answered, he called Holly a sheep who likes to catch cicadas, dig out bird's nests, eat roasted sweet potatoes, and also likes to watch TV.