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We have never given up chasing the soul as free as the wind. ·Zhu Qixian has been living alone away from home for two years. He lives in a small residential area in the west of the city, surrounded by factories, and there is always smoke accompanying him in winter. The gray smoke is like a lock, and the sunlight is scattered in the fog, making it rarely bright. What may be an unbearable loneliness to others may be a secluded place for him. To him, he is just as ordinary as other high school students. It wasn't until the age of eighteen that his unchanging life trajectory finally began to change. First, he can finally no longer rely on his parents' financial support. Second... The house next door that had been empty for a long time also welcomed another resident. It was a girl holding a guitar. In the small unit compartment, the wind blew gently, mixed with her fragrance. Swaying, as clean as the white peony flower that has just bloomed. They are different, but they are the same. It was on that day that two different people and completely different lives came together. Lonely people rely on another person who has experienced loneliness. People who have experienced loneliness teach lonely people to let go of loneliness, stop begging, and learn to fight for it. In lonely streets, the wind will stop.

This book provides an in-depth analysis of the mechanism of "narrativeness" in modern lyric poetry from the aspects of translation, language, poetic style, and concepts, and specifically presents the diverse and complex aspects of modern lyric poets in the practice of narrative poetics. On this basis, from the perspective of the narrative discourse and emotional interaction of the lyric subject, a theoretical analysis of the narrative poetic form - situational aesthetics is carried out. By tracing the historical evolution of "narrativeness", it redraws the changes in the ideographic landscape of modern lyric poetry, highlights the poetic significance of "narrativeness" in modern lyric poetry, and further clarifies the status and value of "narrativeness" in literary history.