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six Classics" Literary Theory
Literature“六经”文学论
Fu Daobin
The formation of the cultural classics "Six Classics" represented by "Poems", "Books", "Rites", "Music", "Yi" and "Spring and Autumn", led to the prosperity of philosophy and literature in the Chinese classical era, achieved ideological and artistic leaps in the classical era, and determined the historical development trend of Chinese culture. Therefore, the study of the "Six Classics" is an unavoidable topic in academic research. The author of "Literary Theory of the Six Classics" has been paying attention to and studying the relationship between literature and Confucian classics for decades. Under the modern academic background, from the ideological and literary breakthroughs of the "Six Classics" and the "Axial Age", the artistic form of ritual music and poetry and elegant poems in the Zhou Dynasty, the "changing style and elegance" and the spiritual turn of Spring and Autumn literature, rituals and the literary writing of the "Six Styles" in "Shangshu", the ideological significance of the "Yue Ling" model and Chinese literature It provides a comprehensive literary interpretation of the "Six Classics" in terms of its four-season structure, the systematic composition of "Music Classics" and the Zhou Dynasty music classics, the poetic structure and poetic wisdom of the "Book of Changes", the literary transcendence of "Zuo Zhuan" and "Spring and Autumn Brushwork". The book has solid documentation, smooth writing, and a grand structure. It is an excellent academic research work.
The formation of the cultural classics "Six Classics" represented by "Poems", "Books", "Rites", "Music", "Yi" and "Spring and Autumn", led to the prosperity of philosophy and literature in the Chinese classical era, achieved ideological and artistic leaps in the classical era, and determined the historical development trend of Chinese culture. Therefore, the study of the "Six Classics" is an unavoidable topic in academic research. The author of "Literary Theory of the Six Classics" has been paying attention to and studying the relationship between literature and Confucian classics for decades. Under the modern academic background, from the ideological and literary breakthroughs of the "Six Classics" and the "Axial Age", the artistic form of ritual music and poetry and elegant poems in the Zhou Dynasty, the "changing style and elegance" and the spiritual turn of Spring and Autumn literature, rituals and the literary writing of the "Six Styles" in "Shangshu", the ideological significance of the "Yue Ling" model and Chinese literature It provides a comprehensive literary interpretation of the "Six Classics" in terms of its four-season structure, the systematic composition of "Music Classics" and the Zhou Dynasty music classics, the poetic structure and poetic wisdom of the "Book of Changes", the literary transcendence of "Zuo Zhuan" and "Spring and Autumn Brushwork". The book has solid documentation, smooth writing, and a grand structure. It is an excellent academic research work.
晚唐钟声：中国文学的原型批评(修订本)
Fu Daobin
"The Bells of the Late Tang Dynasty: Archetypal Criticism of Chinese Literature (Revised Edition)" is an academic monograph that uses the method of archetypal criticism to explain the symbolic meaning of Chinese culture and literature. Archetype is a condensed and accumulated human history and cultural history, and archetype criticism is a kind of "spiritual archeology". Although history has disappeared without a trace, symbols, the special symbols used by humans to understand and feel the world, store the thrilling history of mankind in the most concise form. Archetypal criticism is therefore called literary criticism with truly international significance. Starting from archetypal criticism, the author believes that Chinese literature contains rich and vivid primitive images. "Xiang" in "Yi". "Xing" in "Poetry" is an ancient interpretation of archetypes in Chinese philosophy and art. The archetypal system represented by Xing Xiang is ubiquitous in classical culture.
"The Bells of the Late Tang Dynasty: Archetypal Criticism of Chinese Literature (Revised Edition)" is an academic monograph that uses the method of archetypal criticism to explain the symbolic meaning of Chinese culture and literature. Archetype is a condensed and accumulated human history and cultural history, and archetype criticism is a kind of "spiritual archeology". Although history has disappeared without a trace, symbols, the special symbols used by humans to understand and feel the world, store the thrilling history of mankind in the most concise form. Archetypal criticism is therefore called literary criticism with truly international significance. Starting from archetypal criticism, the author believes that Chinese literature contains rich and vivid primitive images. "Xiang" in "Yi". "Xing" in "Poetry" is an ancient interpretation of archetypes in Chinese philosophy and art. The archetypal system represented by Xing Xiang is ubiquitous in classical culture.