Library

Speaking of Feng Na, as a reader, it is easy to think of Yunnan (birthplace), Guangzhou, ethnic minorities, libraries, women, and "post-85s". Feng Na's poems are indifferent but not dull, or as she said in her poems, they are like "intolerant eucalyptus trees". The frugal and blank way of speaking always reminds people of Taoist songs in Tibetan areas. Feng Na knows how to release and retract. The endings of many poems are like a person's palm resting on a glass plate with water vapor. Specifically, Feng Na's recent poems are mainly divided into four spatial divisions, but in fact they are connected with each other - birthplace, south, north, and the space of spiritual life. From a spatial perspective, Feng Na's poems have specific directions, but conversely, these spaces are actually connected and intertwined with each other. Presented together, they happen to be related to and separated from each other, presenting the complexity and variability of the experience of modernity.