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This book conducts an in-depth and detailed study of the language, narrative, style and characters of contemporary ethnic minority novels in China from the perspective of literature and art. It believes that the construction of national identity by language includes native language writing, non-native writing and bilingual writing; the construction of national identity by narrative includes first-person plural turn, multiple perspectives, parallel dialogue structures, religious and cultural narratives and narrator intervention; the construction of national identity by style includes lyricism, retelling of mythological epics, cultural display writing and stylistic transformation, etc. This has certain theoretical significance for the construction of national literary theory and national literary criticism. At the same time, this book also carries out certain theoretical reflections on the language, narrative, stylistic and image aspects of literature itself, as well as the theory of identity and national identity.