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中外文论与批评研究
Editor-in-chief Zhang Liqun
The main contents of this book are: First, the study of Chinese literary theory and criticism, including the composition of evaluation standards of literary criticism and its construction conditions, the internal logic of the construction of the core value system of Chinese literature, the construction of the subjective value orientation of the "Chinese experience" in contemporary literary criticism, and the multi-dimensional construction of the core value orientation of ancient Chinese literary criticism. The second is research on Western literary theory and criticism, including research on Eastern aesthetics from the perspective of Deleuze's philosophy, Deleuze's digital media poetics, emotion and form research, basic issues raised by Western modern art practice, and Schleiermacher's division of grammatical explanation and technical explanation. The third is ecological aesthetics and aesthetic anthropology, including the status of aesthetics in modern humanities, the debate over scientism in contemporary environmental aesthetics and its essence, body issues in environmental aesthetics, the cultural value of the natural beauty of Guilin's landscape, and research on the influence and variation of body writing in China. The fourth is research on literary theory and creative practice, including research on cyberspace and literary theory, cyber theory and cultural interpretation of daily life, postmodern multi-dimensional space and inter-literary nature, research on observation and imaging, as well as research on Xu Yigua's novel creation in recent years, research on Nagai's short stories, etc.
The main contents of this book are: First, the study of Chinese literary theory and criticism, including the composition of evaluation standards of literary criticism and its construction conditions, the internal logic of the construction of the core value system of Chinese literature, the construction of the subjective value orientation of the "Chinese experience" in contemporary literary criticism, and the multi-dimensional construction of the core value orientation of ancient Chinese literary criticism. The second is research on Western literary theory and criticism, including research on Eastern aesthetics from the perspective of Deleuze's philosophy, Deleuze's digital media poetics, emotion and form research, basic issues raised by Western modern art practice, and Schleiermacher's division of grammatical explanation and technical explanation. The third is ecological aesthetics and aesthetic anthropology, including the status of aesthetics in modern humanities, the debate over scientism in contemporary environmental aesthetics and its essence, body issues in environmental aesthetics, the cultural value of the natural beauty of Guilin's landscape, and research on the influence and variation of body writing in China. The fourth is research on literary theory and creative practice, including research on cyberspace and literary theory, cyber theory and cultural interpretation of daily life, postmodern multi-dimensional space and inter-literary nature, research on observation and imaging, as well as research on Xu Yigua's novel creation in recent years, research on Nagai's short stories, etc.