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Going back to the past, that year, Lao Mouzi's "Red Sorghum" had just won the Golden Bear in Berlin, and had a box office of 40 million in China with a ticket price of 50 cents. This was the beginning of the rise of China Entertainment. In this era when a hundred schools of thought are contending, Liu Wenyuan relied on the memories in his dreams, starting from the self-directed and acted "Love Is Afterlife". He has also become a well-known international director with outstanding film and television literary works such as "Peacock", "Farewell My Concubine", "The Wind", and "White Deer Plain". While winning awards at international film festivals, Liu Wenyuan also used his memory to get involved in the Hollywood film and television industry. He opened the door to Hollywood with masterpieces such as "Sleepless in Seattle" and "Jurassic World". He became a screenwriter and producer of many Hollywood film and television works, and became a guest of the Seven Big Hollywood. In addition to being a director, screenwriter, and producer, Liu Wenyuan also occasionally participates in some film and television works. He has collaborated with Gong Li on "The Myth", with Yu Feihong on "Little Lee's Flying Knife", with Zhang Ziyi on "Crouching Tiger, Hidden Dragon", with Qingxia and Wang Fei on "Chongqing Express"... PS: This book is also called "Obviously a literary film, and you have a box office of over 100 million!" >><<China Entertainment: Starting from the Afterlife of Love>>