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Since entering modern society, in the field of poetry writing, there have never been so many women engaged in poetry writing since the 1990s. Their efforts have enabled women's poetry to present an unprecedented diversified and prosperous landscape. After entering the new century, looking back on the 1990s, we will find that women's poetry creation in the context of mass consumer culture has undergone obvious changes compared with the 1980s. However, the academic research on women's poetry in the 1990s is relatively lagging behind. Most research papers on women's poetry in the 1990s are vague and lack a commensurable and mature cognitive system and viewpoints, which leaves a certain research space for this article. This book takes women's poetry in the 1990s as the research object. "Women's poetry in the 1990s" is not a label, nor does it mean that female poets take sides. As an examination angle, it is put forward to seek the relationship between female poets who wrote in this period and their predecessors, contemporaries, and other writing groups, to analyze the characteristics of women's poetry in the 1990s in the context of mass consumer culture and its complex aesthetic relationship with Western poetry and traditional poetry. Through the research and sorting out of the above issues, it shows the heterogeneous characteristics of women's poetry in the 1990s that are different from the women's poetry in the 1980s and the new century.