Library

The first stop when entering Xinjiang is Hami. Wang Luobin and Hami also formed an indissoluble bond. In 1949, Wang Luobin followed Wang Zhen's troops into Xinjiang. In a small alley in Hami, a woman opened the door and poured water on the road, splashing on his felt boots. The woman was too embarrassed to apologize and closed the door in a panic. This scene inspired Wang Luobin's creative impulse.

Starting from Hami, the first oasis in eastern Xinjiang, passing through Shanshan, Turpan, Urumqi, and ending in Karamay. The journey is not too long, but it is not too short either. The length is just as long as the human body can bear. Wandering all the way, being egged on by gas stations all the time. Those uniform red commas connect a long sentence together, closely focusing on the central word oil, and the meaning of the sentence cannot be clearer. Yes, oil is everywhere today. When they lurk underground, they are like dormant snakes. Once they break through the earth's crust and rush out, they wrap tightly around the neck of humans. With a force that cannot be argued or hesitated, they powerfully stir up a whirlwind. Its power is like the ripples in a washing machine, and the whole world is saturated with it. My journey was upstream, heading towards Karamay, the birthplace of oil.

"Love in the Snow Mountains" is Ding Yan's new collection of novels. Starting from the northwest of Qinghai-Tibet, she uses frost-like cold brushwork to carve out the love and pain in the subtleties of emotion, observing the banality and solemnity of human beings.

This is a self-dialogue of religious socialization. The confrontation and narration of suffering, faith, humanity, redemption, and history all demonstrate the lofty literary ambition of Ding Yan, a young writer of the Dongxiang ethnic group born in the 1990s, to face difficulties. "Smoke Town" contains 10 short and medium-sized stories that contain national characteristics. The story background of the border town and Tibet gives all the novels a mist-like color, and Ding Yan's narrative has a special texture that breaks through the current Chinese system. These together constitute an important mark that distinguishes this collection from other writers in writing about the light of humanity in different eras, the solemn religion of daily life, the compassion and goodwill passed down from generation to generation, and the confusion and confusion of contemporary youth.

In order to deeply understand the lives of factory girls in Dongguan, the poet Ding Yan worked in two electronics factories and an injection molding factory, and experienced the most authentic and profound factory life for 200 days. She recorded the birth and disillusionment of youth, love and dreams of these factory girls, and also questioned the torrent of modern industry that has affected the fate of countless people.

Ding Yan, a member of the Chinese Writers Association, was born in Hami, Xinjiang in the 1970s. Participated in the 6th National Young Writers Creative Seminar. His poems were included in the "Annual Selection of China's Best Poems" in 1999, 2005 and 2008, and he was known as the "Grape Poet". He has published more than ten books including the novel "Mulan", a poetry collection "Midnight in the Vineyard", and a collection of essays "40 Weeks with Life". Now lives in Urumqi. The Gobi Desert is very hot in July. Gadan was hiding in the woods in the evening watching two rams standing on each other's backs. Hearing someone else say that his father was back, he ran home. Others asked, what's so strange? His father also took a woman. For the daughter-in-law his uncle brought from his hometown? Like Guanyin Bodhisattva walking down from the painting.