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血与泪的文学证言:抗战文学“慰安妇”题材作品汇编
Compiled By Li Cunguang
This book collects various literary works published in Chinese newspapers, magazines, and books from 1938 to 1945 with the theme or main content of the "comfort women" in the Japanese army that invaded China. The main text of the book is divided into four units according to novels, poetry, documentary and drama. Each unit is preceded by a book and a photo of the first edition of the work in that unit. Attached are also related works after 1946 that show the situation of Korean "comfort women" stranded in Shanghai. In order to facilitate researchers to understand the publication and circulation of works, a "data" section is also set up, which includes the annual catalog of works on "comfort women" and the review catalog of works on "comfort women" compiled by the editor. This book is a collection of works on the "comfort women" theme in Anti-Japanese War literature, and is the first compilation of such works. The editor intends to make this book both aesthetic and documentary. As a literary reading that highlights the theme of "comfort women" in anti-war literature, it can be read by ordinary readers; as one of the historical materials on the topic of "comfort women", it can be studied in depth by the academic community.
This book collects various literary works published in Chinese newspapers, magazines, and books from 1938 to 1945 with the theme or main content of the "comfort women" in the Japanese army that invaded China. The main text of the book is divided into four units according to novels, poetry, documentary and drama. Each unit is preceded by a book and a photo of the first edition of the work in that unit. Attached are also related works after 1946 that show the situation of Korean "comfort women" stranded in Shanghai. In order to facilitate researchers to understand the publication and circulation of works, a "data" section is also set up, which includes the annual catalog of works on "comfort women" and the review catalog of works on "comfort women" compiled by the editor. This book is a collection of works on the "comfort women" theme in Anti-Japanese War literature, and is the first compilation of such works. The editor intends to make this book both aesthetic and documentary. As a literary reading that highlights the theme of "comfort women" in anti-war literature, it can be read by ordinary readers; as one of the historical materials on the topic of "comfort women", it can be studied in depth by the academic community.