Library

This book contains Professor Chen Zhongyi's research articles on literary principles over the years. It is divided into two parts according to the content. The upper part is "Ancient and Modern Causes", which are mostly theoretical articles, such as "Tragedy and Drama", "Tradition and Currents", "Plot and Theme", etc., And the lower part is "Miscellaneous Stories from Far and Near", which are mostly single articles. The research and comments on writers include contemporary Chinese authors Mo Yan, Jia Pingwa, Zhang Wei, etc., As well as foreign writers Borges, Pamuk, Llosa, etc. The theoretical research and the study of writers' works complement each other, and the macro and micro are combined. It is a representative collection of essays by Professor Chen Zhongyi for many years of literary research.

Digest some reasonable core of Western reception aesthetics and reader response theory, sort out the dilemma and difficulty of the reception of modern poetry; grasp the specificity, openness, and boundedness of the reception of modern poetry, and develop your own response. On the basis of the convergence and parallelism of Chinese and Western reception, review the differences in reception of ancient and modern poetry; discuss the cracks and limitations of the recipients of modern poetry; question the characteristics, difficulties, bottlenecks, influencing factors, special paths, effectiveness and canonization in reception; analyze the acceptance premise of the "interpretive community", The acceptance psychological mechanism of "Xinyiyiyi" and the acceptance trend centered on fun; the "dumbbell model" of acceptance, the "four movements" schema dominated by the heartbeat, the establishment of coordinates for the interaction between formal structure and acceptance responsiveness, and the exploration of the acceptance scale of modern poetry and the "grade" series of good poetry. In the modern and contemporary part of poetry reception, we strive to have a theory of our own.

Looking at the sixty years of foreign literature research, we have to admit two main facts: first, the Soviet model was basically followed in the first seventeen years, but Western literature and cultural traditions were somewhat partial; second, the world turned upside down in the last thirty years, and the large influx of Western literature not only hit the Chinese literary world unprecedentedly, but also provided some kind of leading role in emancipating the mind and bringing order to chaos. However, the study of foreign literature during this period obviously switched to the Western model, thereby somewhat abandoning some of the fine traditions and academic paradigms that should have been adhered to. This was the situation of not being selective, swallowing jujubes, blindly copying, and living in a state of confusion.

"The Man from the Ming Dynasty" is a story about people who are not afraid of ghosts in the new era. The novel cleverly tells the historical origins of various superstitions such as ghost stories from the perspective of psychology and sociology, and how they slowly influence and poison people's hearts through the collective unconscious and those with ulterior motives. Out of family misfortunes and feelings for home and country, the protagonist of the novel unswervingly tracks down a master who pretends to be a ghost, confuses people, and commits all kinds of evil, until he instigates the rebellion of his cronies. Finally, with the support of the government, he destroys the "paradise" and evil empire she has deliberately created, and brings her to justice and uproots her. The novel has a novel concept, twists and turns in the plot, and suspense repeatedly. It has profound historical insight and strong realistic relevance.

There is a thing between heaven and earth, and its name is Blazing Rainbow. When it appears, the heaven and earth will undergo great changes. When it disappears, the world will be peaceful...

"General History of Spanish and Spanish American Literature" is the first true general history of Spanish literature, and it is not limited to Spanish, because it started from Spain as a relatively independent kingdom - the Visigoths, and has lasted for more than 1,500 years, spanning the two continents of Europe and the United States, involving twenty countries, plus the heritage of the ancient Mayan, Inca and Aztec civilizations. The five-volume general history consists of "Spanish Literature: The Medieval Period", "Spanish Literature: The Golden Century", "Spanish Literature: Modern Times", "Spanish American Literature: The Classical Period" and "Spanish American Literature: Modern Times". The first volume, "Spanish Literature: The Medieval Period," is composed of three parts: Visigothic Latin literature, Arabic Al-Andalus literature, and early Spanish literature. From the religious literature in the embryonic period of the Kingdom of Spain, to the secular tendency during the Muslim occupation period and even the late "War of Restoration", extending to the eve of the "Golden Century", it collided and combined with ancient Indian literature, giving birth to a more splendid landscape.