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This book is a collection of essays written by modern Chinese literature scholar Chen Shuyu. He uses the delicacy of a scholar and the feelings of a writer to express his interactions with literati and his memories of some deceased literati. There are many touching details and anecdotes in it. It is a collection of essays that has both historical value and literary beauty.

This book is a collection of autobiographies by Chen Shuyu, a senior expert on Lu Xun, reviewing his life in chronological order. The first two editions of this book were titled "Footprints on the Beach". This edition is an expanded version and renamed "I Live in the World: Eighty Years of Chen Shuyu". The five characters "I live in the world" are taken from Lu Xun's "Huagai Collection·Inscription". Readers can see reflections of different eras from the author's life experiences, as well as the friendly faces of many famous modern and contemporary scholars. The book also preserves records of right and wrong in the literary world. At the same time, scholars can obtain some historical information about China's contemporary academic transition period, especially first-hand information on the history of contemporary Lu Xun studies.

This book includes the debates between the Cultural New Army under the banner of Lu Xun and the retrograde school, modern criticism school, "nationalist literature", "revolutionary literature", etc. In the early 20th century. The debaters involved Zhang Shizhao, Wu Mi, Hu Shi, Xu Zhimo, Liang Shiqiu, Guo Moruo, Gu Jiegang, Gao Changhong and others. It provides relatively complete historical materials for the previous debates in which Lu Xun participated, and also provides rich historical materials for studying the history of modern Chinese literary and artistic trends. Lu Xun's argumentative words are thoughtful in thinking, rigorous in logic, vivid in image, pungent in sarcasm, witty in humor, and concise in language. What runs through the whole is his spirit of searching from top to bottom and always enterprising, the spirit of "if you cannot defeat the enemy, you will never stop fighting", the spirit of straightening your spine, never giving up, and being strict with yourself.

This book includes the debates between the Cultural New Army under the banner of Lu Xun and the retrograde school, modern criticism school, "nationalist literature", "revolutionary literature", etc. In the early 20th century. The debaters involved Zhang Shizhao, Wu Mi, Hu Shi, Xu Zhimo, Liang Shiqiu, Guo Moruo, Gu Jiegang, Gao Changhong and others. It provides relatively complete historical materials for the previous debates in which Lu Xun participated, and also provides rich historical materials for studying the history of modern Chinese literary and artistic trends. Lu Xun's argumentative words are thoughtful in thinking, rigorous in logic, vivid in image, pungent in sarcasm, witty in humor, and concise in language. What runs through the whole is his spirit of searching from top to bottom and always enterprising, the spirit of "if you cannot defeat the enemy, you will never stop fighting", the spirit of straightening your spine, never giving up, and being strict with yourself.