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The Cultural Practice of "formal Ideology": on Chinese Avant-garde Literature in the 1980s
Literature“形式意识形态”的文化实践:论20世纪80年代中国先锋文学
Chen Shouhu
This book is theoretically supported by the "formal ideology" proposed by critics such as Eagleton and Jameson, and re-examines the phenomenon of Chinese avant-garde literature in the 1980s from the perspective of literary sociology. It takes the formal experiments of avant-garde literature in the 1980s as the main line of research, and explores the humanistic context, historical genealogy, language style, narrative ethics, spiritual imagery and cultural heritage of avant-garde literature in the 1980s. The "formal ideology" research approach chosen in this paper is highly innovative in the study of Chinese avant-garde literature. The treatise not only focuses on the textual value of the avant-garde as "pure literature", but also focuses on the "external research" of avant-garde literary trends as a cultural phenomenon, including the sociological implications of "pure literature" overflowing from the text.
This book is theoretically supported by the "formal ideology" proposed by critics such as Eagleton and Jameson, and re-examines the phenomenon of Chinese avant-garde literature in the 1980s from the perspective of literary sociology. It takes the formal experiments of avant-garde literature in the 1980s as the main line of research, and explores the humanistic context, historical genealogy, language style, narrative ethics, spiritual imagery and cultural heritage of avant-garde literature in the 1980s. The "formal ideology" research approach chosen in this paper is highly innovative in the study of Chinese avant-garde literature. The treatise not only focuses on the textual value of the avant-garde as "pure literature", but also focuses on the "external research" of avant-garde literary trends as a cultural phenomenon, including the sociological implications of "pure literature" overflowing from the text.