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The Cultural Practice of "formal Ideology": on Chinese Avant-garde Literature in the 1980s

Chen Shouhu

286K0

This book is theoretically supported by the "formal ideology" proposed by critics such as Eagleton and Jameson, and re-examines the phenomenon of Chinese avant-garde literature in the 1980s from the perspective of literary sociology. It takes the formal experiments of avant-garde literature in the 1980s as the main line of research, and explores the humanistic context, historical genealogy, language style, narrative ethics, spiritual imagery and cultural heritage of avant-garde literature in the 1980s. The "formal ideology" research approach chosen in this paper is highly innovative in the study of Chinese avant-garde literature. The treatise not only focuses on the textual value of the avant-garde as "pure literature", but also focuses on the "external research" of avant-garde literary trends as a cultural phenomenon, including the sociological implications of "pure literature" overflowing from the text.