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中国现代象征主义诗学研究
Chai Hua
The development of new Chinese poetry in the 20th century was a process of continuous modernization, and the modern symbolist poetics placed in it also had strong demands for modernization, which was highlighted by its eager attention to and active construction of the "poetry ontology". This book takes the exploration of "poetic ontology" as the starting point for the interpretation of modern Chinese symbolist poetics. It focuses on the core propositions of poetry's essence, artistic form, aesthetic value, etc., And interprets its full poetic connotation in the ever-improving ontological consciousness of symbolist poetics. It examines its mirror image of existence in poetry writing, poetry criticism, poetry debate and other dimensions, revealing the complex situation of the construction of the modern symbolist poetics system and the tortuous process of obtaining its "legitimate" status.
The development of new Chinese poetry in the 20th century was a process of continuous modernization, and the modern symbolist poetics placed in it also had strong demands for modernization, which was highlighted by its eager attention to and active construction of the "poetry ontology". This book takes the exploration of "poetic ontology" as the starting point for the interpretation of modern Chinese symbolist poetics. It focuses on the core propositions of poetry's essence, artistic form, aesthetic value, etc., And interprets its full poetic connotation in the ever-improving ontological consciousness of symbolist poetics. It examines its mirror image of existence in poetry writing, poetry criticism, poetry debate and other dimensions, revealing the complex situation of the construction of the modern symbolist poetics system and the tortuous process of obtaining its "legitimate" status.