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The narrative ethics used in this book mainly include two aspects: first, an ethical value concept reflected by the narrator in the description of environment, characterization of characters, arrangement of plot structure, choice of rhetorical techniques, etc.; Second, an ethical appeal shown behind the motivation of the writer as to why he writes this way. On the basis of close reading of the text, combined with theoretical dialectical thinking, it mainly examines the narrative ethics concepts reflected by the authors of cooperative novels when dealing with the relationship between "what to write", "how to write" and "why to write like this". Therefore, the narrative ethics of cooperative novels are thought and analyzed from four aspects: First, starting from the creation of character images , observe the ethical implications behind the author's typical method of character creation; second, analyze the ethical implications reflected in the linear plot structure of the seventeen-year cooperative novel; third, explore the ethical implications of the description of time and space in the seventeen-year cooperative novel; fourth, focus on the ethical values expressed by the narrator's adoption of different rhetorical arts and techniques.

From aspects such as the theme and connotation of "storytelling", the arrangement of plot structure, the pioneering and local style of original "Mo's" language, this paper conducts a macro grasp and micro analysis of Mo Yan's novel creation from the 1980s and 1990s to the new century. Taking continuity as the key point, we trace the diachronic narrative strategies and the aesthetic features of his novels genetically and genealogically.