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"Taihua Soul" takes Huashan as the core and takes "geological evolution as the nurturing of spiritual veins" as its original world view. It integrates geological science, ancient mythology and Chinese history, and tells an epic story about the symbiosis of spiritual vein protection and Chinese civilization. Pangu's spine turned into Huashan, Huayao, the master of the spiritual veins, awakened from the core of the rock, nourishing the mountain with spiritual charm, and the ethereal spiritual mirror resisted the chaotic turbid rock demon and started to protect it for hundreds of millions of years. The Cangshi clan has protected the mountain for generations, and made a blood pact with Lingmai that "people protect the mountain, and the mountain gives life to people", and use the blood sacrifice of their ancestors to awaken the sleeping Huayao. Huayao connected with the spiritual veins of the Five Mountains, awakened the Hongmeng Guardian Seal, and defeated the turbid rock demon many times. In order to protect the spiritual veins, Huayao was seriously injured and fell asleep several times, shortening his life span. Emperor Yan tasted grass in Huashan Mountain to help the world, and Shennong's spirit was integrated into his spiritual veins; Xuanyuan asked Yuntai to understand the way of symbiosis, and used jade to seal Huayao's hidden dangers; Gonggong angered Buzhou Mountain, causing geological drastic changes, and Huashan Mountain's dangerous landforms were finalized, and Huayao completed her transformation in her destiny and mission. Later emperors successively enshrined Mount Huashan: Qin Shihuang visited the east and honored Mount Huashan as the Western Mountain, hoping to seize the power of spiritual veins with blood sacrifices. Huayao used his own seal for ten years to quell the chaos; Emperor Wu of the Han Dynasty built a spiritual palace to pray for souls, but regretted it in his later years. Wu broke through the century-old spirit-absorbing formation and used life expectancy to compensate for the loss of spiritual veins; Emperor Guangwu restored the Han Dynasty, simplified sacrifices to appease the refugees, loyal minister Song Hong awakened the soul with death sacrifices, and the Protecting Yue Seal resonated with the national destiny of the Eastern Han Dynasty. The whole book focuses on the confrontation between good and evil in spiritual veins, the interdependence and symbiosis of humans and mountains, sages helping the world, and emperors conferring Zen as the main thread. It connects the process of deep resonance between Huashan Mountain and China's national destiny, and finally interprets the soul of China in which heaven and earth coexist, protect eternity, and the family and country are united.

The novel "The Candle Dragon Bill: Yuan Datou Feasted for Several Dynasties" is set in Tongguan from the 17th year of the Republic of China (1928) to the 18th year of the Republic of China (1929). Through the perspective of the playboy Zhao Jizu (nicknamed "Ji Zi"), it shows the rise and fall of the family and the transformation of human nature under a natural and man-made disaster. The opening chapter begins with the extravagant life of the shopkeeper of Jiang Yuan in "Ancient Living". He is addicted to listening to operas and squandering his family wealth, and is completely unaware of the crisis of drought. As the drought in Guanzhong intensified, food prices soared, and bandits plundered, the Zhao family fell from prosperity to desperation. Jiazi was forced to flee the famine with ten yuan. On the way, he met the orphan Cui'er and experienced the hardship of survival amid hunger and cold. This book combines historical events and fantasy elements. Because Jiezi accidentally touched the ancient magic "Taotie Lock Technique", he was punished by Zhulong and traveled to the Dadiwan primitive tribe 8,000 years ago and the Banpo matrilineal clan 6,000 years ago. In the wilderness, he gradually lost his dandy habits, learned farming, pottery making, and grain storage, and established a deep relationship with the tribal women Ahe and Ayao. The work explores the redemption of human nature in troubled times through the dual-line narrative of "food, sex" and "love": from the extravagant banquets in the sauce gardens of the Republic of China to the warmth of food shared by primitive tribes, Jiazi finally understands the true meaning of "fireworks in the world". The full text uses vivid language and is full of details, such as the salty aroma of the sauce vat, the golden color of the millet fields, and the vividness of the fish patterns on the painted pottery, creating a fireworks picture that spans time and space. It contains both a realistic description of the social turmoil of the Republic of China and a poetic imagination of primitive civilization. In the end, "Yuan Datou" is used as a link to connect Jiazi's redefinition of family, love and survival.