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Goodbye is also meet. This is the way back to the Forbidden City. This book uses the Forbidden City as its warp and the historical figures of the Ming and Qing Dynasties as its weft, weaving a heart-stirring and generous tragedy in the intersection of time and space. It is a map, interpreting every corner of the Forbidden City like a treasure; it is also history, with the author observing every detail with his consistent and delicate writing style, and vividly restoring the joys and sorrows of historical figures in the depths of human nature.

This book is An Yiru's return to her original intention after appreciating poems such as "The Book of Songs", Nalan Rongruo, and Huang Zhongze, and concentrated on writing her favorite Tang Dynasty and those poems she loved most. In this book, An Yirushun follows the flow of "Complete Poems of the Tang Dynasty", with his consistently delicate and graceful writing style and unique perspective of appreciation, starting from appreciating the poetry works of Li Shimin, Yang Guang, Wei Zheng and others... And ending with Wang Wei, Meng Haoran, Wang Changling, Li Bai and Du Fu.

An Yi is like "Peach Blossoms in the World" from "Three Realms of Classical Aesthetics", reading the beautiful images of classical poetry. From the first marriage in the Book of Songs to the turmoil of the Qin and Han Dynasties, the brightness of the Tang Dynasty, and the beauty of the Song Dynasty, the image of peach blossoms continues endlessly in classical poetry, covering its branches and reincarnations. People can easily understand the symbolic meaning of pine, bamboo, plum orchid in Chinese culture, but it is not easy to understand the cultural connotation of things like peach blossoms. Peach blossoms in China are too complicated. Whenever I think of them, there is an ambiguity that is difficult to describe. If you look at a peach blossom, it becomes a world of its own. 49 Beautiful words, with poetry as the source and peach blossoms as the entrance, convey the love from the past to the present one by one.

Best-selling author An Yiru has become famous for her beautiful and delicate appreciation of the essence of classical poetry. She escapes the rigid and serious face, melts the distance of time with her rich emotions, inspires words with her free attitude, and expresses the beauty and sadness of classical poetry with her elegant and elegant writing style. In her writings, the true sadness of beautiful women, the joys and sorrows of separation of talented men and beautiful women, and the scenes of poignant and joyful love are all romantic and fresh, pure and beautiful.

Yuefu poetry is "feeling sad and happy, and inspired by events". The emotions are strong and exposed, the form is simple and natural, and it is good at narrative. In "Flowers Blooming on the Moshang", An Yiru uses poetry as a clue, history as material, and unique perceptual words to perfectly decode the ancient Yuefu poetry and restore the stories of lingering sorrow and joy, the rich and handsome characters, and the unpredictable emotions. Go back to the Han, Wei, Jin, Six Dynasties, Tang Dynasty, and Five Dynasties. Go and watch the infinite romance at that time.

From the first marriage in the Book of Songs to the turmoil of the Qin and Han Dynasties, the brightness of the Tang Dynasty, and the beauty of the Song Dynasty, the image of peach blossoms continues endlessly in classical poetry, covering its branches and reincarnations. People can easily understand the symbolic meaning of pine, bamboo, plum orchid in Chinese culture, but it is not easy to understand the cultural connotation of things like peach blossoms. Peach blossoms in China are too complicated. Whenever I think of them, there is an ambiguity that is difficult to describe.

In "Liao Jiang Jin Se Ji Fleeting Time", An Yiru uses her consistently delicate and beautiful writing style to truly reproduce the poet's unparalleled talent and tragic and tortuous life through incisive analysis of Huang Zhongze's poems and life experiences, and by comparing them with the best poets and most classic poems since the Qin and Han Dynasties.

Tang Dynasty, the golden age in the history of Chinese literature. Literary stars are so bright and masterpieces are so frequent that it is dizzying to see. The brilliance of Tang poetry is unprecedented and unprecedented. From "Life is just like the first time we met" to "Liao Jiang Jin Se Ji Feng Nian", from "The Book of Songs" to Nalan Rongruo and Huang Zhongze. After ten years of preparation, An Yiru returned to her original intention and concentrated on writing her favorite Tang Dynasty and her favorite poems. This book mainly writes about the poetic figures and their works in the early and prosperous Tang Dynasty. The content is relatively comprehensive, ranging from the "Four Masters of the Early Tang Dynasty" to the representatives of court poetry, Song Zhiwen and Shen Quanqi, to the representatives of landscape and pastoral poetry, Meng Haoran and Wang Wei, and the representatives of frontier poetry, Gao Shi and Cen Can, and of course, Li Bai and Du Fu - the major poets of this period are all involved.

The play depicts the ways of the world, people's hearts, and various aspects of life. Play is also music. Avalokitesvara, observing the suffering and prosperity of the world, the sounds are heard in the ears, and the two are in the heart. The fusion of classics and fashion, the combination of tradition and avant-garde. "Guanyin" edited by An Yiru This year is the intersection of confusion, frustration and joy. Those melodies that never grow old, they make me fascinated and fascinated. I try to share the beauty I perceive with others. They are my treasures since I was young. Just like a little girl's personal belongings, she always wants to take them out and share them with others when the time is right, even though it may not be worth showing off.

Time roams in the deep palace, ancient and magnificent scenery passes by, history returns to silence once again, the sigh of moss in the corner of the vermilion palace wall, just when the dream wakes up, the curtain falls. Thousands of times have passed, dynasties have changed from generation to generation, and all the beautiful faces have disappeared. Life is trapped in the Forbidden City, walking in restricted streets and alleys. No matter how slow or sick, we can reach the same destination by different paths. The Forbidden City is like a real fantasy. It is a magnificent piece of music left by history to future generations, reminding us that we are experiencing changes and impermanence in the world.

In "A Dream of Red Mansions", the life experience of the fourth girl Xichun is a mystery. She is also the character with the least mention by Cao Gong among the Twelve Hairpins, but she has a distinctive personality that is unforgettable. In An Yiru's writing, Xichun became the daughter of Qin Keqing and Jia Jing, born to her father-in-law and daughter-in-law. This kind of life experience destined Xichun to be indifferent and inferior.

Every family is singing the "Drinking Water" poem. How many people know about Nalan's thoughts? The latest revision is elegant and quiet, making it the first choice for collection as a gift. "Only the Tao was Ordinary at That Time: Emotional Portraits of Nalan's Ci (New Edition)" "Nalan Rongruo", these four words alone are a wonderful collection of poems. The fragrance flows between the lips and teeth. Therefore, fate has laid the foreshadowing from the beginning, quietly dormant in life, waiting for the day when it will bear fruit. He is remembered, not because he is the son of Quan Liu, not because he is Kangxi's favorite minister, but because he is a poet who is unique in his generation.

"Si Wuxie" is an appreciation work of the "Book of Songs" by the best-selling author An Yiru. For this publication, the author has made extensive revisions and added some chapters. This edition is an expanded edition. "Look for it with the elegance of poetry and look at it with the profundity of scriptures. It may be the voice that sounded in our hearts in the past life. The songs we sang together." In the book, An Yiru selected some chapters from the "Book of Songs" and gave them a modern interpretation. Today's people appreciate the beauty of poetry in it, which is often mixed with fashionable thinking and language, and incorporates the unique perspective of modern women. The articles are fresh and pleasant, giving a new look to classical poetry, and allowing young readers who are accustomed to rigid education to truly get closer to the artistic conception of poetry. This is also the fundamental reason why An Yiru's series of books are so popular among readers, especially young readers.

An Yiru's latest collection of essays is still about interpreting the classics. The book is divided into two parts - interpreting ancient beauty fashions. By appreciating the classic stories of ancient women, based on their unique characteristics, it contrasts and analyzes the current beauty topics. For example: the charm of Concubine Yang and the current topic of weight loss, the freshness of the Little Dragon Girl written by Jin Yong and the current topic of whitening, etc. Interpretation of beauties with high emotional intelligence in ancient times. The writing is timeless, giving new annotations to ancient beauty and modern beauty. Such as: the story of Bao Si and the beacon fire drama of the princes, Du Liniang's view of love in the Peony Pavilion, Wang Baochuan's stubborn and tragic life of waiting, the story of Yu Xuanji and Wen Tingyun, etc.

A novel written by An Yiru in pure prose language. This is the spiritual history of a Tibetan young man who has lived in Beijing for more than thirty years. It tells the complete process of the protagonist being adopted in Tibet, living and studying in Beijing, integrating into a modern metropolis, studying and doing business, experiencing emotional setbacks, gradually losing himself, and finally returning to Tibet to find his roots. It is a story about growth, transcendence, and enlightenment. This book is also an ode to life that integrates destiny and emotion, history and reality. The life of the protagonist Suonan Tsering (Yin Changsheng) is just like the life of Tsangyang Gyatso. Although Tsangyang Gyatso does not actually appear in the book, he is like a symbol that runs through the whole book. In the novel, the glitz and vanity of modern cities are in sharp contrast to the purity and tranquility of the snowy plateau. The author also combines the fate of the characters in the book with his own understanding and perception of religion, giving the work a very profound philosophical connotation...