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This Makes for a Good Story

(us) James Scott Bell

136K04

They want to find different experiences in stories, different from what they see every day. Plot and structure are the foundation of a good story. As long as the plot is exciting enough and the structure is complete enough, it can successfully bring readers into a new world. The author of this book, James Scott Bell, is a master of creative writing. He has published more than 20 novels and won the 2000 Christie Award for Fiction. Library Weekly praised him as a "master of suspense." Author of the classic writing guide series "Writer's Digest" in the United States, and professor of fictional writing at Pepperdine University.

Conflict and Suspense: Elements of Novel Writing

(us) James Scott Bell

185K01

This book helps you create tension and keep your readers hooked. The book contains various methods to make your work exciting, helping you to promote the storyline and make readers unable to put it down. As a thriller writer and writing coach, James Scott Bell will show you how to plot scenes, create characters, and develop story arcs to fill your story with conflict and suspense from beginning to end. By learning techniques from successful novels and movies, this book helps you: 1. Arrange appropriate conflicts at the beginning, middle, and end of your story. 2. Create suspense through the characters' inner conflicts. 3. Establish conflict for the story's POV characters. 4. Balance subplots, flashbacks, and backstories to push the story forward. 5. Maximize tension in the conversation. 6. Increase suspense when revising.

Superstructure: the Key to Unlocking the Power of Story

(us) James Scott Bell

53K0

In this book, renowned American writing coach James Scott Bell reveals the secrets to making novels and screenplays more powerful and irresistible. A basic principle of writing is that the appeal of a story is directly proportional to the reader's reading experience, and the reader's reading experience is directly proportional to the rationality of the structure. A story without structure is like a skin without a skeleton. Only through a reasonable structure can the power of the story be released. Superstructure works for any kind of writer-whether it's someone who likes to outline before they start writing, or someone who just lets their imagination run wild based on intuition. According to the author, writing a novel is like driving in the dark with headlights on. The furthest you can see is only the light on the highway. However, as long as you always know what the next sign is, you will not get lost or drive towards a cliff. "Superstructure" provides us with 14 very effective story signposts, which are: Haunting, Care Package, Argument Against Switching, Making Trouble, Door of No Return No. 1, Kick in the Shoe, Mirror Moment, Pet the Puppy, Door of No Return No. 2, Growing Power, Lights Out, Q Element, Final Battle, and Switching. For each signpost, this book explains it in an independent chapter, and also attaches a short section "Useful suggestions for plot writers and intuitive writers" to show you how to put what you have just learned into practice and make corresponding adjustments according to your own writing style to write a story that is unique to you.