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聊斋志异（青少版名著）
(qing Dynasty) Pu Songling Zhang Xiaofan
"Strange Stories from a Chinese Studio" is mostly based on folklore and unofficial anecdotes, showing us a colorful world of ghosts, foxes and flower demons. Pu Songling said in "Strange Stories from a Chinese Studio": "Gathering armpits into fur, in vain to continue the records of the netherworld: The writing is just a book of loneliness and anger. "So, it is not only a collection of classical Chinese short stories that "search for strange things" and "deal with absurd things", but it is also a book of loneliness and anger in which the author "touches the current situation" and "uses persuasion to punish". "Pu Songling's paintings of gods, ghosts, foxes, and monsters represent ordinary people, imagining strange things, which are the vicissitudes of life. Humans and gods interact, humans and ghosts alternate, human beings change, and flower demons and foxes are alienated into all living beings, which constitute the most harmonious beauty of Liaozhai. "Strange Stories from a Liaozhai Studio" has become a collection of novels, myths, and fables." The book "Strange Stories from a Liaozhai Studio" has been commented upon by many people in the past dynasties. Because its depth, breadth, and clarity greatly exceed similar works in literary history, the Qing Dynasty thinker Chen Tingji called it "an unprecedented work."
"Strange Stories from a Chinese Studio" is mostly based on folklore and unofficial anecdotes, showing us a colorful world of ghosts, foxes and flower demons. Pu Songling said in "Strange Stories from a Chinese Studio": "Gathering armpits into fur, in vain to continue the records of the netherworld: The writing is just a book of loneliness and anger. "So, it is not only a collection of classical Chinese short stories that "search for strange things" and "deal with absurd things", but it is also a book of loneliness and anger in which the author "touches the current situation" and "uses persuasion to punish". "Pu Songling's paintings of gods, ghosts, foxes, and monsters represent ordinary people, imagining strange things, which are the vicissitudes of life. Humans and gods interact, humans and ghosts alternate, human beings change, and flower demons and foxes are alienated into all living beings, which constitute the most harmonious beauty of Liaozhai. "Strange Stories from a Liaozhai Studio" has become a collection of novels, myths, and fables." The book "Strange Stories from a Liaozhai Studio" has been commented upon by many people in the past dynasties. Because its depth, breadth, and clarity greatly exceed similar works in literary history, the Qing Dynasty thinker Chen Tingji called it "an unprecedented work."